Creative Writing Competitions to Enter this December

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Barbara Pym, Chorley & District Writers Circle Annual Short Story Competition, Globe Soup Flash Fiction 2021 Competition, HE Bates Short Story Competition London Independent Story Prize, Henshaw Short Story Competition, London Independent Story Prize, Moth Poetry Prize, Retreat West Themed Flash Fiction Prize, Ruth Rendell Short Story Competition, Sunday Times Audible Short Story Award, Sylvia Plath, Virginia Prize for Fiction

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Why not aim high, and end the year with a flurry of entries to competitions looking for short stories or recently completed novels in December? Over the years members of ninevoices have not only entered, but won or been short-listed for some of the competitions given on this site. It can be done…

The list for December entries is being posted earlier than usual, to give anyone interested in the Barbara Pym Competition the chance to enter. The deadline for that is Midnight on December lst. The Virginia Prize for Fiction also has a December lst closing date.

The 2022 Ellen J Miller Memorial Short Story Competition. If you are a fast writer, or a long-established fan of the work of Barbara Pym, you may just have time to enter this competition for a short story which prominently features one or more characters from her published novels. Entries must be between 2000-2200 words and must not be under consideration elsewhere, or have been submitted before. Prizes are: $250, $100 and $50, plus complimentary registration and meals at the Barbara Pym Society North American Conference in Boston. The winning entries will be read at the conference and will also be published on the Society’s website. and in their newsletter. Entry is free. Details: http://barbara-pym.org

The Globe Soup Flash Fiction 2021 Competition wants stories about a secret location that will be revealed when writers enter the contest. One winner will receive £1,000. Enter unpublished flash fiction up to 899 words in any genre or style for adult or young adult readers, with at least part set in the location. Closing date: 31 December. Entry appears to be free. Website: http://www.globesoup.net/writing-competitions

Green Stories Writing Competitions: Novels. For the first three chapters of a full length novel touching on ideas of sustainable societies. Prizes: A discounted appraisal from Daniel Goldsmith Associates. Free entry. Deadline 1 December. Details: http://www.greenstories.org.uk

HE Bates Short Story Competition for stories up to 2,000 words. Prizes: £500, £200, £100. Entry: £6, £10 for two. Closing date: 9 December. Details: ww.hebatescompetition.org.uk (Please make your own checks on this closing date, taken from Writing Magazine’s Competition Guide, since I haven’t been able to verify it it on-line)

Virginia Prize for Fiction for unpublished novels of at least 45,000 words by women. Prizes: development and publication of the winning novel. Entry fee: £25. Closing date: 1 December. Details: https://aurorametro.com/

Sunday Times Audible Short Story Award for stories up to 6,000 words, by authors with a record of publication. Prizes: £30,000, 5x£1,000. Free entry. Deadline: December 4. Details: http://www.shortstoryaward.co.uk

Chorley & District Writers Circle Annual Short Story Competition for stories up to 2,500 words on a theme to be confirmed. Prizes: £100, £50, 3x£20. Entry fee: £6, or £10 for two. Closing date: 15 December. Details: http://www.chorleywriters.org.uk

London Independent Story Prize for short stories up to 3,000 words, or flash up to 300 words. Prizes: £100 for both categories. Entry fee: £4. Closing date: 15 December. Details: http://www.londonindependentstoryprize.co.uk

Ruth Rendell Short Story Competition for stories up to 1,000 words. Prizes: £1,000 and commission to write four further storiesfor InterAct Reading Service over the course of one year. Entry fee: £15. Closing date: 21 December. Details: http://www.interactstrokesupport.org

Henshaw Short Story Competition for stories up to 2,000 words on any theme. Prizes: £200, £100, £50. Entry fee: £6. Quarterly closing date: 31 December. Details: http://www.henshawpress.co.uk

Write Time Competitions for stories up to 1,500 words by writers over 60. Prizes£50; £25×2; publication. Entry fee: £3, £5 for two. Quarterly closing date: 31 December. Details: https://writetime.org/

Retreat West Themed Flash Fiction Prize for up to 500 words on the theme of “after”. Prizes: £200; 2x£100, Entry fee: £8. Details: http://www.retreatwest.co.uk

Moth Poetry Prize for a single unpublished poem. Prizes: 6,000 Euros; 3×1,000 Euros, plus publication; 8×250 Euros. Entry fee: 15 Euros. Closing date: 31 December. Details: http://www.themothmagazine.com

So, please don’t leave your writing resolutions until the New Year and please, as ever, double-check all details before entry.

Ninevoices wish you all the happiest of Christmases and lots of good things for the New Year. Including some well-deserved writing successes. Just remember, somebody has to win these things… why shouldn’t it be you?

We will close with a favourite quote from the excellent Sylvia Plath:

“I love my rejections. They prove that I’m trying.”

Writers – Is Your Work Autobiographical?

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Agatha Christie, Eighteenth century, Henshaw Short Story Competition, Hilary Mantel, Martin Amis, The Servant

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A good question. Clearly Agatha Christie was never accused of murdering anyone. Nor did Hilary Mantel have first-hand experience of the Tudor court. Yet both convey a convincing reality through a research and skillful storytelling.

In writing about the squalor and hardship of nineteenth-century London in The Servant, nobody would suggest I wrote from personal experience. I live in a broad-minded welfare state, where women have access to education, to reliable birth control, and take for granted that they deserve to be treated as equal to men. And yet. The glass ceiling still exists, the fear of university debt prevents many getting the education they might wish and powerful men can still get away with taking advantage of female employees. So it was not an impossible step to imagine how the women who went before us lived their lives.

And personal experience has a place.

I lived for twenty years in a house built in the middle of the English Civil War. Our cottage (above) was at one time called Speldhurst Farm and in earlier days was thought to have belonged to a yeoman farmer. How could I not make use of it as the home of dairy farmer Thomas Graham in my story? How not call on my knowledge of creaking elm plank floors, lime-washed walls, beams as thick as a man’s thigh, and sparking inglenook fireplaces?

In addition, my husband had a much-loved mare called Calypso, and though she was a grey rather than my farmer’s bay, when I wrote of a horse’s ‘warm breath on my stroking hand‘ I did, of course, write from personal experience.

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Two Christmases ago, a neighbour’s handsome English bull terrier came to visit and was swiftly inserted into my story as my hero’s dog. Woody (re-named Hector for plot purposes) could not, sadly, be described by his breed, since a quick spot of research discovered that the bull terrier, as such, did not exist until the following century, but I allowed myself poetic licence and merely avoided naming the breed. I am, after all, a storyteller rather than a historian.

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I’m convinced all writers draw on personal experience and feelings to some extent. Certainly I do.

However, I should make one final point on the subject. Some years ago I was fortunate enough to win a Henshaw Short Story Competition. The piece, Till Death Us Do Part, told of a cheating wife and how she killed off her husband. Let me reassure you that my own husband, the same one then as now, is still very much alive.