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Tag Archives: Writing Competitions

Writing Competitions to Enter in April

30 Wednesday Mar 2022

Posted by ninevoices in Maggie, Writing Competitions to Enter

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Bath Short Story Award, Desperate Literature Prize, Edge Hill Short Story Prize, Grey Hen Poetry Prize, Red Planet Prize, Swanwick Writers' Summer School, William Shakespeare, Writing Competitions

This month we celebrate the birthday of the great William Shakespeare, so what better time to pursue one’s own writing ambitions than through entering one of the following competitions:

Bath Short Story Award for stories up to 2,200 words. Prizes: £1,200, £300, £100, plus The Acorn Award of £100 for an unpublished writer. Entry fee: £9 each. Closing date: April 11. Details: https://bathshortstoryaward.com

Red Planet Prize for new series drama scripts. Prizes: script commission and masterclass with award-winning writers. Entry fee: Closing date: April 3. Details: http://www.redplanetpictures.co.uk/the-red-planet-prize.

RA & Pin Drop Short Story Award – for stories up to 4,000 words. Prizes: a reading by a special guest at an evening at the Royal Academy of Arts. ENTRY IS FREE, so what is stopping you? Closing date: April 15. Details: http://pindropstudio.com/

The international Desperate Literature Prize 2022 will receive 1,500 Euros and a writing residency at Civitella Ranieri Foundation for original unpublished short fiction no longer than 2,000 words. The winner will also get an introduction to literary agent Charlotte Seymour from Johnson & Alcock and a manuscript assessment and follow-up meeting from an editor at The Literary Consultancy. Two runners-up will each get 750 Euros. The winners and runners-up will all be published in an anthology with one of the prize’s partner journals and be invited to participate in Desperate Literature salons in Madrid, London and Edinburgh, with one shortlisted writer offered a spot at the Tbilisi International Festival of Literature and a 400 Euro travel stipend. Closing date April 15. Details: https://desperateliterature.com/

Edge Hill Short Story Prize for published short story collections. Prizes: £10,000, £1,000. FREE ENTRY. Closing date: April 15. Details: http://www.edgehill.ac.uk

Grey Hen Poetry Prize invites submissions of unpublished poems of up to 40 lines by women over the age of 60. Prizes are £100, £50 and £25, with publication online. Entry is £3, or four for £10. Closing date: 30 April. Details: http://www.greyhenpress.com

Finally – why not raise your writing profile by attending Swanwick, the Writers’ Summer School? There are three competitions to win a place: a poem of up to 40 lines, a short story of up to 1,000 words; children’s fiction up to 1,000 words. The theme for all entries is: ‘Community’. Prizes: a fully inclusive week at the 2022 Summer School for the winner; a Writing Magazine manuscript appraisal for the second; and a copy of the Writers’ & Artists’ Yearbook 2022 for the third. Entry fee: £6 for each piece; multiple entries are allowed. Closing date: April 30. Details: http://www.swanwickwritersschool.org.uk/win-a-place

Good luck with those entries – just make sure you double-check the details online first, in case there have been changes since I compiled my information.

Till Death Us Do Part

13 Saturday Feb 2021

Posted by ninevoices in Maggie

≈ 3 Comments

Tags

Being published, Henshaw Press, Short stories, Writing Competitions

by Maggie Davies

A cautionary tale – which won a Henshaw Press Short Story Competition a few years back – to mark Valentine’s Weekend. Perhaps it might inspire readers to write a competition entry of their own, and maybe get it printed in an anthology.

I wrapped my arms around Neil and kissed the top of his head. His hair might be the colour of fresh snow these days, but he was far from an old man.

‘We could die together,’ I said. ‘Fly to Switzerland. Make a holiday out of it. Then finish up at that special clinic they’ve got over there.’

‘Don’t be bloody ridiculous.’ He was cross. He’d always been short-tempered and the last few months had been a strain.

‘I’m serious, sweetheart.’ I moved to sit opposite him. ‘You know I couldn’t bear to go on without you.’

‘You’re insane, Beth. You’re still a young woman. In perfect health.’

‘Hardly young.’

‘You’re only sixty.’

‘I mean it, Neil.’ I put my hand over his. ‘I”ll throw myself under a train, if you kill yourself.’

‘Then I can’t do it, can I?’ He rubbed tired eyes. ‘I’ll have to turn into a vegetable and make both our lives a misery. Is that what you want, you silly woman?’

‘No,’ I said. That wasn’t what I wanted at all.

*

It started after Geoff’s wife died. Madeline had been failing for years and, living next door, we’d seen the hell they went through in her final months. Her deterioration had been particularly depressing for Neil, who’d been reading articles about dementia often being hereditary.

‘It’s like my Dad, all over again,’ he’d said, with a shudder. ‘If I ever get like that, I want you to finish me off. Take the carving knife to me. Promise?’

His father’s house smelled. The bathroom, in particular, stank. It took a while for Neil to find out why. The poor old chap knew where he was supposed to go to urinate. He’d just forgotten what to do when he got there and simply peed all over the carpet. It was humiliating for everybody. When he finally died it was a relief.

‘A meat cleaver might be more final,’ I said, trying to lighten his mood. ‘Though messier.’

It became a sick joke between us. Nothing serious. Then, over a few months, things changed dramatically. Neil had always mislaid keys and spectacles. I did myself, but he became incapable of finding anything. I put a wooden fruit bowl on the kitchen dresser and suggested he use that as a collection point, but whenever he went there for something, it was empty.

‘I’m losing the plot, aren’t I?’ he grumbled, after finally locating his house keys in the drawer where we kept the electrical leads. ‘Why would I put them in there? My brain’s turning to Swiss cheese.’

‘All sixty-nine-year-olds mislay things.’ I gave him a hug. ‘Tomorrow we’ll buy some vitamins. That might help.’

Several days later he accosted me in the greenhouse. He looked as if he didn’t know whether to laugh or cry. ‘Why were my spectacles in the fridge?’

‘Whatever are you talking about?’

‘My bloody spectacles were in our refrigerator. On top of the Flora.’ He slapped the side of his head with his hand, as if to knock sense into it. ‘I am going bloody barmy. Aren’t I?’

‘Sweetheart, we all do crazy things. Remember when I started to reverse the car out of the garage? With the up-and-over door still closed?’

‘That’s true.’ He looked relieved, but not much.

However, days later, I glanced out of the kitchen window and said: ‘The bin, sweetheart. It’s Thursday. Didn’t you put it out?’

Neil glanced up from The Independent. ‘It’s okay, I did it when I got back from the newsagents. Before I raked up those dead leaves at the bottom of the garden.’

‘So where is it, then?’

He abandoned the paper and peered outside. ‘Damned if I know. Perhaps the bin men emptied it and stuck the thing next door by mistake.’

They hadn’t, of course. It was where it always was, behind the shed. Still full.

‘You meant to do it,’ I said, when he eventually came back inside. ‘Sometimes I mean to clean the oven, but then conveniently forget. Probably because it’s a chore.’

Neil paced up and down, like an animal in a trap. ‘But it’s not just the bin, is it? I lost my electric razor yesterday, and my credit cards the day before. Then I left the bathroom tap running last night when I went to bed. I’ve no idea what I’m going to do next. It’s like being in a nightmare.’

‘You’re preoccupied, that’s all. Though maybe you should see the doctor.’

‘I’m damned if I want to be asked if I know what day of the week it is.’

‘And what day is it?’

‘It’s Thursday. September the 25th.’

‘There you are, my love. You’re fine.’

*

The days dragged on until Geoff wandered in through the kitchen door one morning, as he often did, with some runner beans for us from his allotment.

‘I could do with my mower back, if that’s okay,’ he said to Neil.

‘Your mower?’

‘You know, mechanical thingy that cuts grass and makes a godawful racket? That you borrowed from me last weekend?’

Neil’s fists clenched at his sides. ‘I was planning to come over and borrow it. Tomorrow.’

‘But you’ve already got it, old man. That’s why I need it back.’ There was an awkward pause. ‘Okay,’ continued Geoff, looking embarrassed. ‘Tell you what, you hang on to it and let me have it back whenever it’s convenient.’

‘But I don’t have it,’ Neil protested, looking at me. ‘Do I?’

‘It’s in the garage,’ I said, avoiding his eye.

There was a silence, before Geoff slapped Neil on the shoulder in a not-very-convincing show of bonhomie. ‘Not to worry. I missed the dentist last week. He still charged me for the appointment, though. Grasping bugger.’

The incident hit Neil hard. ‘I told you I was getting like Dad,’ he said. ‘This proves it.’

I wasn’t sure what to say, so I kept silent. Instead I put my arms round his waist, buried my face in his scratchy sweater and gave him a big hug.

‘I’d rather be six foot under than lose my dignity,’ he murmured into my hair, sounding close to tears.

‘At least get a proper diagnosis,’ I urged. ‘What if you’re wrong?’

‘What’s the point of a diagnosis? There’s no cure, is there?’ He extracted himself from my grasp and looked me in the eye. ‘I’m taking matters into my own hands while I still can. I could deteriorate rapidly. That’s what terrifies me. Leaving it too late.’

‘Don’t do it, Neil. Please!’

‘You’ll manage. People do. Look at old Geoff.’

‘I refuse to even discuss it.’

‘But we must talk about it. Plans have to be made.’ He took my hand in his and kissed it. ‘I need you to understand,’ he said. ‘I couldn’t bear it if you didn’t.’

‘I understand perfectly,’ I said. ‘I just don’t agree.’

‘Of course you don’t. But you will support me?’

‘You mean, hand you a full bottle of pills?’

‘And get you in trouble with the law? Assisted suicide is a crime. It wouldn’t be right to involve you in anything like that. And that Swiss clinic business raises too many legal questions, never mind the cost. But I’ve done some research on the internet. If I steer my car into that nice, solid brick wall by the railway bridge, my worries should be over before I know what’s happened. Especially if I neglect to wear my seat belt and put my foot down, on a wet night. That way, the life insurance people can’t ask awkward questions.’

‘Oh, sweetheart, you mustn’t think about money. I’ve got my pension, haven’t I?’

‘A fat lot of good that will do you. Just think of all the money those insurance companies have had from us over the years. They owe us.’ He patted my arm. ‘You deserve some happiness after I’ve gone. I refuse to leave you hard up.’

‘Please, sweetheart,’ I begged. ‘Don’t do this. I’ll look after you, whatever happens. We promised, for better or worse. Remember?’

‘Not another word. My mind is made up. We’ll go away somewhere special for a second honeymoon. Then come back and I’ll make a quick exit.’

When the time finally came, Neil and I kissed goodbye at the door before he went out to the car. We were both crying. Then I watched him drive off at speed into the night. Losing him like this would be dreadful, but he was right: life would go on.

I went back inside and picked up the phone to dial Geoff’s number. It had taken us three careful months of planning to get to this.

‘Fingers crossed, darling, but I think we’ve finally done it,’ I said, when he answered. ‘All we have to do is wait for the traffic police to come knocking on my door.’

*********

Please note that my husband, both then and now, is very much alive.

Competitions to enter in May – Something for Everyone!

29 Friday Apr 2016

Posted by ninevoices in Maggie

≈ 1 Comment

Tags

Woman's Weekly, Writing Competitions

The Bridport Competition closes on May 31st for Short Stories (up to 5,000 words), Poetry (up to 42 lines) and Flash Fiction (up to 250 words). Prizes are £5,000, £1,000 and £500, plus 10 x £50 highly commendeds for short stories and poetry; £!,000, £500, £250, plus 3 x £25 highly commendeds for flash fiction. Anthology publication for all. Entry fees: £7 per flash fiction, $8 per poem, £9 per short story. Website: http://www.bridportprize.org.uk

The Peggy Chapman-Andrews Award (organised by the Bridport Prize) for the first 5,000-8,000 words of an unpublished debut novel. Prizes £1,000 and mentoring; £500, 3x£100. Entry fee: £20. Deadline 31st May. Website as above.

Liverpool Hope Playwriting Prize. One comedy writer will win £10,000 and the opportunity to have their play considered for production by Liverpool’s Royal court, while up to two Highly Commended awards of £1,500 will be on offer.

Open to anyone over the age of 18 in any UK territory or the Republic of Ireland. There is a £20 entry fee. Deadline 31st May. Details from http://www.playwritingprize.com

Criminal Lines 2016. The first 15,000 words plus synopsis of a crime novel by an unagented, unpublished or self-published author. Prizes: £500 plus ticket to The Writers’ Workshop Festival of Writing. £500 runner-up. Possible representation from agent A M Heath. FREE ENTRY. Deadline 4th May. Website: http://amheath.com/blog/criminal-lines/

Page to Stage 2016. Playscripts of up to 20 pages or 20 minutes. Prizes: total of £300, professional reading, bursary. Entry fee: £10 Closing date 6 May. Website: http://tacchi-morris.com

Frome Festival Short Story.  Short stories 1,000-2,200 words, any theme. Prizes: £300, £150, £75. Winning entrants also published on the website and may be sent to Women’s Weekly for consideration. Closing date 31st May. Website: http://www.fromeshortstorycompetition.co.uk

Yeovil Literary Prize. For novels (opening chapters and synopsis, up to 15,000 words), short stories (max. 2,000 words), poems (up to 40 lines) and ‘writing without restrictions’. Prizes: for novels, £1,000, £250 and £100; for poems/short stories: £500, £200, £100; for ‘writing without restriction’ £200, £100, £50. Entry fee: £11 for novels, £6 for short stories, £6 for one poem, £100 for three ‘writing without restriction’. Deadline 31st May. Website: http://www.yeovilprize.co.uk

Cinnamon Press Short Story Prize. Stories 2,000-5,000 words. Prizes: £500, £100, £50, winners and runners-up published in anthology. Entry fee: £12. Deadline 31st May. Website: http://www.cinnamonpress.com

Writersreign Short Story Competition. 1,000-1,500 words, open theme. Prizes, £100, £50, 3x£10 Highly Commendeds. Entry fee: £3.50, £6 for two. Deadline 31st May. Website: http://www.writersreign.co.uk

Winchester Writers’ Festival. Poems, any subject, 40 lines max for each entry. Prizes £125, £75 and £50. Childrens’: a picture book, up to 600 words, prose or verse, aimed at ages 3-6, or funny fiction up to the first 1,000 words, for ages 8-12, and synopsis of the remainder. Editorial meeting with Little Tiger for first place. Flash Fiction: up to 500 words; consultation with Janklow & Nesbit agents for first placed. Crime: the first 500 words of a short story or novel with a murder thriller theme; prizes, £60, £40, £20. Memoir: up to 2,500 words, self-contained or the first chapter; attendance at a Writers & Artists’ conference for first. Novel: the first three pages, plus a synopsis of 600 words max. (any theme or period); consultation with Little, Brown for first place. Short story: 1,500-3,000 words; Writing Magazine Creative Writing Course for first, critiques for second and third. TV Drama: submit a one-page proposal for a TV drama or comedy series; prizes Final Draft software. Closing date 13 May. Website http://www.writersfestival.co.uk

2016 Raymond Carver Short Story Contest. International entries sought for Carve magazine’s pretigious competition, now in its 16th year. Literary fiction up to 6,000 words. First prize $1,500. Second and third prizes of $500 and $250 and two Editor’s Choice prizes of $125. The winners will be published in the October edition of Carve and winning entries will be read by three literary agencies. Deadline 15th May. Details http://www.writers-online.co.uk/Writing Magazine/

PLEASE check details are correct before entering! Some of the deadlines are SOON.

The Rejection Diaries

16 Saturday Jan 2016

Posted by ninevoices in Maggie

≈ 4 Comments

Tags

Henshaw Press, Norwich Writers, Olga Sinclair, rejection, The Bridport Flash, The People's Friend, To Hull & Back, Women's Weekly, Writer's Forum, Writing Competitions, Writing Magazine

I’ve written more short stories in the last year than in the previous decade – and doing so has curiously somehow increased my productivity. As well as the short stories, I’ve managed to draft a pretty awful poem (my first since primary school), finished my romantic comedy novel (Douglas Dodd’s Women) and written the first 6,000-words of another, in a very different genre.

It was a fascinating exercise. Entering 9 competitions earned me: 1 first prize, 2 short-listings and 1 commended, as follows:-

Bristol Short Story Competition – no placing
Writing Magazine Crime Story – no placing
Writer’s Forum Competition – no placing
To Hull & Back Humorous Short Story Competition – Commended
Headway 500-word Competition – no placing
Bridport Flash Fiction Competition – Shortlisted
Henshaw Press Competition – 1st Prize
Writer’s Forum Competition – no placing
Norwich Writers Olga Sinclair Competition – Shortlisted

In addition, I sent a short story to, firstly, Women’s Weekly, and then to The People’s Friend. Both bombed.

I have four other entries ‘out there’ with results due in February/March. In case they are all rejected – which might stop me writing for days/weeks/months while I lick my wounds and whine about my work being only fit for the recycling bin – the plan is to send out a handful more in the next weeks, to keep the pot boiling.

As my husband tells me, if you fall off a horse you’ve got to climb straight back on and keep going.

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