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Monthly Archives: January 2015

self-publishing – championing the ‘indie’ authors

28 Wednesday Jan 2015

Posted by ninevoices in Tanya

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indie authors, Jane Davis, self-publishing

What kind of authors opt to self-publish and why? What are the pitfalls – is it a last resort or can it offer more to writers who want to keep their independence than the traditional route?

Jane Davis’s blog http:jane-davis.co.uk is a good place to go to shed some light on these questions. Jane has self-published several novels after winning the Daily Mail first novel award, and is generous about sharing her experience and knowledge with others. Her blog contains insightful interviews of indie authors and just recently an excellent article about what is happening in the self-publishing world. Altogether a five star read!

Travelling hopefully….to Spring

26 Monday Jan 2015

Posted by ninevoices in Travelling hopefully, Valerie

≈ 2 Comments

‘I must go down to the sea again,’ said John, ‘to the lonely sea and the sky.’

‘In April I would prefer to be in England,’ said Robert.

‘But it’s still January. Ah, St Agnes’s Eve, bitter chill –  ‘

‘Johnny,’ Percy reminded, ‘if Winter comes can Spring be far behind?’

‘Anyway, April is the cruellest month,’ said Tom. ‘Winter kept us warm, covering earth in forgetful snow.’

‘It is Aprille with his shores sote,’ said Geoffrey, ‘when longen folk to goon on pilgrimages.’

‘One Spring,’ mused Will, ‘I wandered lonely as a cloud that floats on high o’er vales and hills – ‘

‘We know,’ the others chorused. ‘When all at once you saw a crowd, a host, of golden daffodils. You told us.’

‘Ah,’ sang Bill, ‘the flowers that bloom in the Spring, tra la.’

‘It is Spring, moonless night in the small town, starless and bible-black.’ Dylan fell asleep.

‘In Spring,’ said Alfred, ‘a young man’s fancy lightly turns to thoughts of love.’

‘My love,’ said Rabbie, ‘is like a red, red rose that’s newly sprung in June.’

‘And after April, when May follows, and the whitethroat builds, and all the swallows!’

‘Yes, Robert,’ the others said. ‘We know you’re fond of birds.’

‘Indeed. The lark’s on the wing; the snail’s on the thorn; God’s in His heaven – all’s right with the world.’

‘You think so?’ asked Johnny. ‘The enjoying of the Spring fades as does its blossoming – ‘

‘Oh, come,’ Algy interrupted. ‘Be cheerful. The hounds of Spring are on Winter’s traces.’

Dylan roused himself from his stupor. ‘He’s right, Johnny. You always were a melancholic. Think of the nightingale and what about that urn you were telling us about? What was it you said?’

‘Beauty is truth, truth beauty.’

‘There you are then. Put some more coal on the fire, boyo.  Anything left in that bottle?’

The British Library’s Crime Classics series

21 Wednesday Jan 2015

Posted by ninevoices in Books, Crime, Ed, Read Lately

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British Library, Christmas, crime fiction, Ed found this, Hog's Back, Northern Line, Oxford, Piccadilly, snow

Thanks to that excellent institution the British Library, for publishing its Crime Classics series. These are a selection of novels from the Golden Age of detective fiction. Aficionados will have been aware of it for some time, but I’ve just come across it and was fortunate enough to be given two of them for Christmas. I’m currently much enjoying Mystery in White – A Christmas Crime Story, by J Jefferson Farjeon (originally published in 1937): a group of strangers find themselves trapped by heavy snow on Christmas Eve in a country house, which mysteriously has fires burning and food ready, but no-one is home … Great suspense.

My other gift was The Sussex Downs Murder, by John Bude (1936), a delight I have in store. Others in the series have settings such as the London Underground’s Northern Line (Murder Underground by Mavis Doriel Hay), an Oxford college (Death on the Cherwell by the same author), the very centre of London (Murder in Piccadilly by Charles Kingston), and the Hog’s Back beauty spot in Surrey (The Hog’s Back Mystery by the great Freeman Wills Crofts).

For details on some of these see http://www.bl.uk/aboutus/publishing/publications-catalogue-spring-2015.pdf (scroll down to pages 6 to 11) or http://www.bl.uk/aboutus/publishing/publications-catalogue-spring-2014.pdf (pages 10 to 13).

 

Repeated expressions – to understand is to forgive?

20 Tuesday Jan 2015

Posted by ninevoices in Reading, Tanya

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Anthony Trollope, Joanna Trollope, repetitions, Victorian novels, Zadie Smith

Any devotee of Anthony Trollope – and I am one – will be familiar with his habit of repeating his favourite sayings, often drawn from the Bible or classical literature. ‘God tempers the wind to the shorn lamb’, and  ‘Out of the full heart the mouth speaks’, spring to mind. Trollope also constantly re-uses expressions like ‘it was a religion to him that…’ or ‘she had taught herself to think that…’ This to me is all part of the joy and comfort of reading Trollope: here is an author’s voice we come to know and trust. (An aside recommendation: Listen to Timothy West’s perfect readings of the Barchester and Palliser novels – it’s as if Trollope himself is speaking.)

But when modern authors display the same tendency to repeat expressions I wince at what looks like laziness or inattention. For example, I’ve just read Joanna Trollope’s reworking of Jane Austen’s Sense and Sensibility, where characters constantly ‘sighed’ or ‘let a beat fall’. They were doing exactly the same in her previous books. I can’t help wondering if once an author becomes established and successful their editors no longer like to point these things out. Or whether they matter anyway.

And I am being unfair and inconsistent: forgiving a Victorian writer for repetitions while nit-picking the writing of his descendant. All writers have their funny little ways. It’s worth noting though that a useful tool for us to check out our own is the find and replace key…

In an article in The Guardian back in 2007 Zadie Smith wrote how in each of her novels somebody ‘rummages in their purse’ for something; she was, she said, too lazy and thoughtless and unaware to separate ‘purse’ from its old persistent friend ‘rummage’. She called this sleepwalking through a sentence; re-presenting to readers what is pleasing and familiar, pandering to a shared short-cut understanding. If it’s only a sentence it’s not much to be ashamed of, but Zadie Smith suggested that for many writers there will be paragraphs, whole characters, whole books through which one sleepwalks and for which inauthentic is truly the correct term.

 

Terms of Endearment

19 Monday Jan 2015

Posted by ninevoices in Maggie

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Reference works

In the last few days a new website – historicalthesaurus.arts.gla.ac.uk – has gone online. The Historical Thesaurus of English is said to be the only resource to make the meaning of every English word from the last millennium available to the public. It is a digital version of the Historical Thesaurus of English Project, the printed version of which was published in 2009 after 44 years of work by academics at the University of Glasgow. The project has taken 230 linguists to complete and is still being added to.

Categories with the most words and phrases include terms of endearment – from ‘my dove’ to ‘luv’ – and include ways of calling someone drunk or stupid.

So, no excuses now for not getting the right word…

All rejections are equal …

09 Friday Jan 2015

Posted by ninevoices in Inspiration, Sarah

≈ 1 Comment

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Writing Magazine

It’s easy to get discouraged by publishers’ rejections so Writing Magazine addressed the problem in a recent issue.  A member of ninevoices responded with the following letter about how one of the greatest novellas of the last century fared:

The year was 1944 and a respected author and journalist was trying to find a publisher for his 30,000-word ‘fairy story/political allegory’.  After several rejections, he tried Jonathan Cape who looked set to take it on, then changed his mind, citing advice from an ‘important official’ in the Ministry of Information.  That official was later uncovered as a Communist spy – who evidently didn’t want to upset his boss (and Britain’s wartime ally) Joseph Stalin. Thankfully, his influence didn’t extend to Fredric Warburg – who, after a few hold-ups, published the book in August 1945.  The initial print run of 4,500 sold out within days.

And Orwell’s Animal Farm just keeps on selling.

Meeting the Agent

08 Thursday Jan 2015

Posted by ninevoices in Maggie

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Getting an Agent

WRITER: Excuse me, are you Ptolemy Trewlove, the famous agent?

AGENT: Yes. But I’m EXCEEDINGLY busy. I don’t know why Alicia let you into my office.

WRITER: She was at the same boarding school as me. (DUMPS PETER JONES’ PLASTIC BAG ON HIS DESK) Look, I’ve got this manuscript. You’ll love it. Mummy laughed so much when she read it that she spilled her G&T all over the labrador.

AGENT: It’s a comedy? Humour doesn’t sell at the moment. Unless it’s by Miranda Hart. Everybody loves her. (PAUSE) You’re not Miranda Hart, are you?

WRITER: No.

AGENT: Pity. I could sell a guide to the public lavatories in Tunbridge Wells, if it was by her. In fact (SCRIBBLES ON POST-IT PAD), I might suggest that to her agent.

WRITER: It’s not really a comedy. It’s about a nut case who can’t make up his mind.

AGENT: Mental health issues are in the news. But those kind of books don’t sell either.

WRITER: He’s more mixed up than crazy.

AGENT: Existential angst? Oh dear. Even harder to shift. Unless of course it’s by Stephen Hawking.

WRITER: There is a murder.

AGENT: That’s more promising. Crime’s a hugely popular genre.

WRITER: Actually there are bodies everywhere by the end. Poisonings. Stabbings.

AGENT: Tell me more. What about your setting? Crime fans demand atmosphere.

WRITER: It’s deeply sinister. Much of it takes place at night. There’s even a ghost.

AGENT: A ghost? Not bad. Though a really fit vampire would be better.

WRITER: No vampires, I’m afraid. But the love interest drowns herself. She’s a Danish girl. A hugely tragic figure.

AGENT: Nordic noir has flown off the shelves since the Girl With the Dragon Tattoo. I don’t suppose there are any divorced, reformed alcoholic detectives in it?

WRITER: Afraid not. Though there is a gravedigger. And a skull.

AGENT: That sounds vaguely familiar. (STUDIES SOME OF THE PAGES)

WRITER: (MIFFED) I hope you’re not suggesting it’s not my own work.

AGENT: (WITH SCORN) I’m afraid that not only are you guilty of plagiarism, but this writing is the most utter and complete tosh I’ve ever had the misfortune to read, Miss…

WRITER: The Honourable Lucinda Cholmondeley-Coutts, actually. Though in a few months I’ll be changing my name. I’ll be a royal then, what with marrying a prince and everything.

AGENT: Marrying a…? You don’t mean…?

WRITER: Oh, golly-gosh. Daddy will be SO cross. It’s supposed to be such a secret. The press will go insane if they find out. Promise me you’ll be discreet. PLEASE.

AGENT: Of course I promise. (RUBBING HANDS TOGETHER) So much stuff is derivative these days. Writers can’t avoid it. And it isn’t as if this is written in the form of a play. (PRODUCES SHEET OF PAPER) Just sign on this dotted line. And then tell me how much of an advance you need…

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