Writing Competitions to Enter in July

 

Summer is upon us and, with it, some new competitions to enter. If George Gissing could write 23 weighty novels and 111 publishable short stories in under thirteen years (see Valerie’s recent post about him on this blog) four weeks should be ample time to come up with a thousand words or so…

The Aurora Prize 2020 from Writing East Midlands is a national creative writing contest in two categories: poetry and short fiction. In each category there are first prizes of £500 and a session with Society of Authors staff. There are second prizes of £150 and third prizes of a one-day writing course of the winner’s choice from Writing East Midlands. Enter original, unpublished stories up to 2,000-words and poems up to 60 lines. The entry fee for the first entry is £9 and £7 for any further entries. Closing date is 8 July. Details from: https://writ.rs/auroraprize2020

Doris Gooderson Short Story Competition for stories up to 1,200-words on an open theme. Prizes: £200; £100; £50. Winning entries may be published in an anthology. Entry fee: £5. Closing date: 15 July. Details: http://www.wrekinwriters.co.uk

Ilkley Literature Festival Short Story and Walter Swan Poetry Competitions for stories 1,000-2,000-words; poems up to 30 lines. Prizes: £200 for short stories, £200, £100, £75 for adult poems, £100, £75, £50 and 18-25 year olds’ poems. Entry fee: £5. Deadline: 31 July. Details: ilkeleyliteraturefestival.org./uk

HISSAC Annual Open Short Story Competition for stories up to 2,000-words; flash fiction up to 500-words. No connection to Scotland needed, either by theme or entrant. Prizes: £200, £75 and £50 in both categories. Entry fee: £5; £12 for three; £18 for five. Deadline: 31 July. Details: http://www.hissac.co.uk

The Fiction Factory Flash Fiction Competition is looking for a maximum of 1,000-words on any subject, though they are not excepting children’s stories or YA. Prizes are: £150, £50 and £25. Entry is £5 for a single entry, £8 for two, £12 for three. Deadline is 31 July. Details from their website http://www.fiction-factory.biz

 

Norwich Writers Circle invite entries for the sixth Olga Sinclair Prize, its annual open fiction short story competition, inspired this year by the word ‘News‘ and celebrates the Norwich Post, which in 1705 became the first provincial newspaper to be published outside London. The first prize is £500, with two runners up prizes of £250 and £100. The top ten shortlisted stories will be later published in a 2020 Anthology and a gala prize-giving evening held in Norwich, circumstances permitting, on 3 November. The entry fee is £9 for the first story and £7 each for two or more stories. The deadline is 31st July. Details: https://norwichwriters.wordpress.com A member of ninevoices was shortlisted for this a few years back and although she didn’t win, did go on to revise the story and have it published in an anthology.

Do you live in Surrey? The free Surrey Life magazine and Guildford Book Festival invite original, unpublished short stories up to 1,000-words by unpublished Surrey residents. Shortlisted writers will be invited to the October festival launch, when the winner will be announced. Entry is free and the deadline 31 July. There is no mention of a monetary prize, but there is always La gloire and an opportunity to see your work in print. Details: https://writ/rs/surreylifecomp.

Because of our current situation, the British Czech & Slovac Association Competition for short stories and non-fiction, up to 2,000, exploring the links between Britain and the Czech/Slovak Republics at any time, has extended its deadline from the end of June to 31 July. Prizes: £400, £150, together with publication in the British Czech & Slovac Review and an invitation to a dinner – moreover, ENTRY IS FREE. The suggested, but optional, theme for 2020 is sporting. Surely some of you have humorous memories of sporting events that you have attended, or viewed on television. A batchelor party in Prague? Or maybe romantic lingerings on the wonderful Charles Bridge in your youth? Do get writing. Details: http://www.bcsa.co.uk

Finally, the Sean O’Faolain Short Story Competition is looking for stories up to 3,000-words on an open theme. Prizes: 2,000 Euros, week-long retreat at Aman Cara Writers’ and Artists’ Retreat; Euros 500, Euros 250×4. Entry fee: Euros 18. Closing date: 31 July. Details: http://www.munsterlit.ie

Please take special care at this unsettled time to check entry details, since some events may have been cancelled or had their entry dates altered.

Remember that reading is good for depression and uplifting for those in isolation. So it is up to writers like ourselves to grab those notebooks, cudgel our brains and keep providing fresh material.

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A Chance to Get Your Debut Novel onto the Bookshelves?

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The Girl with the Pearl Earring, Tracy Chevalier

 

To celebrate the 120 years since Albert Curtis Brown founded his literary agency, and their authors past and present, Curtis Brown have just announced their inaugural Curtis Brown First Novel Prize. Tracy Chevalier, bestselling author of Girl with a Pearl Earring and Single Thread, will chair a judging panel formed of Curtis Brown Agents and the Curtis Brown Creative Team.

The prize is open to manuscripts, both finished and unfinished, across all genres of adult fiction. Entry is FREE, but must be online. Authors must be 18 or over and not represented by an agent.

Applications are open until midday on August 1st of this year, but the summer will slip past, so you might want to concentrate your mind now. There is even sufficient time to pen the 10,000-words required for entry from scratch.

A shortlist of six will be chosen for consideration by the judging panel.

The author of the winning novel will be offered representation by Curtis Brown, plus a prize of £3,000. The first runner-up will receive a place on a three-month novel-writing course and a mentoring session with one of their literary agent team. A further four shortlisted entrants will be offered a place on a six-week online course with Curtis Brown Creative and a mentoring session with one of their agent team.

To enter, send the opening of your novel, (up to 10,000-words, including any prologue), together with a single page synopsis (up to 400 words).

If you are not already aware of it, Curtis Brown produce an excellent newsletter, packed with advice and information. Currently it concentrates on how to perfect your submission, from format to the opening; from the synopsis to the title. Worth subscribing to, even if you don’t intend to enter this particular competition.

I suspect more than one member of ninevoices will consider this too good an offer to refuse.

Details and rules are available on http://www.curtisbrowncreative.co.uk/first-novel-prize and should be checked before entry. For example, they will not accept a manuscript which has already won a prize.

Since Curtis Brown are anxious to publicise this great opportunity, I don’t imagine they’ll mind me lifting the quote from their announcement:

‘Every book starts with a first line, every career with a first moment of inspiration.’

 

 

Competitions to Enter in February

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CWA Debut Dagger, CWA Margery Allingham Short Story Competition, Fish Flash Fiction Prize, Flash 500 Short Story Competition, Kelpies Prize, Papatango New Writing Prize, The Chiplitfest Short Story Competition, The Times/Chicken House Children's Fiction Contest, WOW! Women On Writing Winter 2019 Flash Fiction Contest

Meet the new beta reader for ninevoices! Nine-month old Kiko’s recommendations for this freezing cold morning are a bracing walk (yay!) before curling up before a roaring fire with the laptop and entering a competition or two… Dropped biscuit crumbs would be a bonus.

Papatango and Southwark Playhouse welcome submissions of new stage plays for their Papatango New Writing Prize. The winner will develop their play with Papatango in preparation for a four-week production in the autumn. Their script will be published by Nick Hern books and the writer will receive ten percent royalties. In addition, following the stage production, the winner will be awarded a £6,000 commission to create a new play, with Papatango providing developmental support. The competition is for an original, unperformed and unproduced full-length stage play – minimum sixty minutes/forty pages/9,000 words. ENTRY IS FREE, and the deadline 17 February. Full details on their website: https://papatango.co.uk/#new-writing-prize

The Chiplitfest Short Story Competition is open for entries up to 5,000 words. There is a first prize of £500, a second prize of £100 and a third prize of £50. The authors of the top ten stories will have the opportunity to be featured on http://www.pennyshorts.com, which publishes short stories. The entry fee for stories up to 2,500 words is £5, and £8 for stories up to 5,000 words. Closing date is 7 February. Details: http://www.chiplitfest.com

The CWA are inviting entries for two writing competitions. The CWA Debut Dagger is given for the opening of a crime writer who had never published a full-length novel and who has not got a contract with a publisher or agent. The winner receives £500 and shortlisted writers receive feedback, plus having their entries sent to interested UK agents. To enter, send up to 3,000 words, plus a synopsis of no longer than 1,500 words. The entry fee is £36 and the closing date 28 February. The CWA Margery Allingham Short Story Competition 2019 is for the best unpublished short story that most closely fits vintage crime writer Margery Allingham’s definition: ‘The Mystery remains box-shaped, at once a prison and a refuse. Its four walls are, roughly, a Crime, a Mystery, and Enquiry and a Conclusion with an Element of Satisfaction in it.’ The prize is £500, plus two passes to Crimefest 2020.To enter, send unpublished stories up to 3,500 words. The entry fee is £12 and the closing date 28 February. Full details: https://thecwa.co.uk/

The CWA Debut Dagger people are generous with hints and tips on how to impress their judges – in particular. posting a five-point analysis of why a reader might fail to be impressed by a synopsis. This is valuable for ANY novel, not just one involving a crime. So do take a look at their website.

Fish Flash Fiction Prize, maximum 300 words. Open subject. Prizes 1,000 Euros; 300 Euros; online writing course; publication in anthology. Entry fees: online 14 Euros for one, then 8 Euros; postal 16 Euros for one, then 10 Euros. Deadline 28 February. Details: http://www.fishpublishing.com/flash-fiction-contest

Flash 500 Short Story Competition for between 1,000 and 3,000 words. Prizes: £500, plus a two-year Duotrope gift certificate; £200; £100. Entry fees: £7 for one story, £12 for two; £16 for three; £20 for four. Deadline 28 February. Details: http://www.flash500.com/index_files/ss.htm

Kelpies Prize for a novel. Send the first five chapters, plus a 1,000-3,000 word synopsis starting ‘There were three things everyone knew about [character name]… Rules: Scottish writers only, aged over 18. ENTRY IS FREE. Prizes: £500, plus £500 advance on signing contract, mentoring, writing retreat and £100 expenses. Full details: discoverkelpies.co.uk/kelpies-prize 

The Times/Chicken House Children’s Fiction Contest for a novel for children. Full manuscript 30,000 to 80,000 words, synopsis and covering letter. Rules: novel suitable for children aged 7-18. Entry fee: £18. Prize: publishing contract/royalty advance of £10,000; critique for all longlisted. Details: http://www.chickenhouse-books.com/submissions

If you fancy attracting the attention of an American agent, WOW! Women On Writing Winter 2019 Flash Fiction Contest is open until February 28. The guest judge is literary agent Kari Sutherland with Bradford Literary Agency. Submit short fiction of any genre between 250-750 words. Prizes: $400; $300, $200. The prize also includes publication and an interview. Can’t find if there is an entry fee, but details should be on: https://creativewritingink.co.uk/competitions/wow-women-on-writing-winter-2019-flash-fiction-contest/

That should be enough to be going on with, but do, please, double-check all and any details before entering.

Having noted the requirements for the Kelpies Prize, above, with its suggested opening phrase, I’m going to suggest this as one of the homework tasks that whoever hosts the fortnightly ninevoices’ sessions sets for those not immersed in novel editing. It should trigger useful flash and short stories – so why not make use of it? Kiko would give you an approving tail-wag..

 

 

 

How’s THIS for a competition prize?

 

A Canadian woman has launched a writing contest for her luxury home

https://www.bbc.co.uk/news/world-us-canada-46913322

 

I’m really quite tempted.  I like Canada.

Competitions to Enter in November

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Aeon Award, Against the Grain Poetry Press, Bath Children's Novel Award, black cats, Caledonian Novel Award, Cornerstones, Everything With Words Urban YA Competition, Fish Short Story Competition, Inktears Short Story Competition, Mother's Milk Books, Nanowrimo, Sylvia Plath, The White Review Poets Prize 2018

 

With Hallowe’en imminent, here is a spooky/lucky black cat for you. The chair on which Gizzy is conducting her radiator worship was purchased from an antique shop in Edenbridge, then humped laboriously back to the car park at the far end of the High Street. My plan was to recline in it for late afternoon reading of Jane Austen. Fat chance…

Everything With Words independent children’s publisher wants entries for its Urban YA Competition, for a debut novel set in today’s urban, multi-cultural Britain. The winner will receive £1,000, plus possible publication. Novels should be between 40,000 and 700,000 words and may be written by agented or unagented writers, but must be the author’s first novel for YA readers. Send novel and a 500-word summary, with “YA competition” in subject line. Closing date is 30 November and THERE IS NO ENTRY FEE, so what do you have to lose? Details: wwweverythingwithwords.com

The Against the Grain Poetry Press (which publishes three collections each year) is inviting original unpublished entries for its Poem Competition 2018. The winning entry will be submitted to the Forward Prize for Best Single Poem, and will be awarded £100. There are second and third prizes of £50 and £25. Entry fee is £5 for two poems, or £10 for five poems. Closing date is 30 November. Details: atgcompetition@gmail.com

Indie press Mother’s Milk Books is inviting submissions of dark fairy tales for the fifth in the series of their popular annual anthology The Forgotten and The Fantastical. Stories should be up to 5,000 words and may be set in the present day or in any fantastical or sci-fi setting. Entry is free, but submitting writers are asked to buy a copy of one of the previous books in the series through the website and to include the invoice number with their submission. Each accepted author will be paid £20 and will receive a complimentary book and the chance to read at the book launch in Nottingham. Closing date 30 November. Details: submissions@mothersmilkbooks.com

Arkbound Short Story Competition for stories between 500 and 1,000 words on the theme of ‘time‘. Prizes: £100, £50, £25, 3 x £20. Entry fee: £3. Arkbound will sponsor entries from disadvantaged people. Closing date 1 November. Details: competitions@arkbound.com

Caledonia Novel Award for the first 20 pages, plus 200-word synopsis, of a novel by an unpublished writer. Prize: £1,000, plus trophy. Entry fee: £25. Closing date 1 November. Details: http://www.caledoniannovelaward

Fish Short Story Competition for stories up to 5,000 words. Prizes: 3,000 Euros for first; a week at Anam Cara Writer’s Retreat in West Cork, plus 300 Euros expenses for second; 300 Euros for third. Entry fee: 20 Euros for the first, 10 Euros thereafter. Closing date 30 November. Details: info@fishpublishing.com

Inktears Short Story Competition for stories between 1,000 and 3,500 words. Prizes: £1,000, £100, 4 x £25. Entry fee £7.50. Closing date 30 November. Details: http://www.inktears.com

Aeon Award for short stories up to 10,000 words ‘in any spec fic genre’.

Ely Amnesty Group Short Story Competition for stories up to 1,500 words on the theme of ‘hope’. Prizes: £50, publication. Entry fee: £5. Closing date

National Novel Writing Month is an annual internet-based creative writing project that takes place during November. Participants attempt to write a 50,000 word manuscript between 1 November and 30 November. Although there is no monetary prize, participants can get on-line support, pep-talks, and can even get involved in local events. This could be a brilliant way to get started on a new novel project.  Details: https://nanowrimo.org

Literary magazine The White Review is inviting entries for The White Review Poets Prize 2018. The winner will receive £1,700, expert professional advice and will be published in the Review. To enter, submit between five and ten pages of original and unpublished poetry. The entry fee is £12. Closing date 6 November. Details: http://www.thewhitereview.org.

As ever, let me remind you to check entry details with care before submitting in case I’ve got something wrong…!

And finally, to also remind you that even rejections give something positive back, is that brilliantly encouraging quote from Sylvia Plath:

 

Competitions to Enter in October

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Uses for that writer's notebook

You’re a writer, so you naturally keep a notebook. Don’t you? This is my current personal collection. They live in my handbag, in the bedside drawer, the car, on the shelf under the coffee table, in my walking jacket, in the kitchen…just about everywhere!  And now I’m giving serious thought to short stories and flash fiction, I’m hoping to mine the odd nugget of gold from within their tattered pages.

Why not join me in entering at least one of the following:

The National Memory Day Poetry Competition wants up to 40 lines on the theme of ‘memory‘. First prize is £700, second £200 and a third of £100. The entry fee is £3 for a single submission and £2 for each additional submission. Deadline: 5 October. Details: https://nationalmemoryday.org.uk/competitions/

Bath Flash Fiction Award for up to 300 words. Deadline 14 October. Details: bathflashfictionaward.com (Please note that this website appears down today, so I couldn’t check the prize details and only had these squiggled notes in one of the above notebooks. However, anything Bath does is usually first-rate, so take a look at their site when it comes back on line)

RW Flash Fiction Prize for 500-word flash fiction. Prizes: £350, £200, £100, £15. Entry fee: £8. Deadline 28 October. Details: http://www.retreatwest.co.uk

Flash 500 Novel Opening, Plus Synopsis, Competition has prizes of £500 for the winner and £200 for the runner-up. Deadline 31 October. Details: http://www.flash500.com

RW Short Story Prize, for stories between 1,500 and 4,000 words. Prizes: £400, £250, £150, £20. Entry fee: £10. Deadline 28 October. Details: http://www.retreatwest.co.uk

NAWG Novella Competition for first 5,000 words plus a one-page synopsis. Prizes: books to the value of £300, 2x£200. Entry fee: £10. Deadline 31 October. Details comp-open@nawg.co.uk

NAWG Open Short Story Competition. 500-2,000 words. Prizes: £200, £100, £50, publication. Entry fee: £5. Deadline 31 October. Details: http://www.nawg.co.uk

Southport Writers’ Circle International Short Story Competition 2018. Stories up to 2,000 words. Prizes: £150, £80, £25; humour £30. Entry fee: £3, or £10 for four. Deadline 31 October. Details: http://www.swconline.co.uk

Tom Gallon Trust Awards. Short stories, up to 5,000 words, by authors who have had at least one story accepted for publication. Prizes: £1,000. Entry: FREE. Deadline 31 October. Details: http://www.societyofauthors.org

London Magazine Short Story Competition 2018 for short stories up to 4,000 words. Prizes: £500; £300; £200. Entry fee: £10. Deadline 31 October. Details: http://www.thelondonmagazine.org

London Short Story Prize 2018. is for short stories up to 5,000 by writers with London postcodes. Prizes: £1,000. Entry fee: £6 Closing date: 9 October. Details: http://www.spreadtheword.org.uk

A Story for Daniel, flash fiction competition is in memory of Daniel Farbrace and aims to raise awareness of blood stem cell donation. They are looking for up to 500 words ‘with a joyous or hopeful theme‘. The winner will receive £100 and their story will be published on-line. The runner-up will receive a bundle of goodies, including a Retreat West bronze membership and a writing critique. Entry is free, but there are suggested good causes if writers would like to make a donation in young Daniel’s memory. Deadline 31 October. Details https://gaynor69.wixsite.com/astoryfordaniel

As always, please double-check all particulars – especially the deadline date. Some sources suggest 28 October, others 31 October. That way madness lies…

Competitions to Enter in August

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1000-Word Challenge, All Desires Known, Bench Theatre's Supernova Festival, Costa Short Story Award, Exeter Story Prize, HWA Dorothy Dunnett Short Story Award, Ilkley Literature Festival, Of Human Telling, Writers' block

When is a short story competition not a short story competition? I’ve been entering these things for years, only ever winning two and being short-and-long-listed on a handful of other occasions. HOWEVER, winning isn’t all that’s on offer.

Competitions can be incredibly successful for curing writers’ block. If you’re stuck with your novel, turning your back on it and creating something new, perhaps in a different genre, can help you return to your manuscript with fresh perception.

Writing a short story might also develop a character or set of characters who will take hold of your imagination and inspire something much more significant. Tanya’s two published novels — Of Human Telling and All Desires Known — had their genesis in a short story about people living in the shadow of an English public school. My own novel, currently being edited prior to submission, began life as a short story, but elicited the comment from a judge that she felt the subject matter: ‘really called for a book’.

Competition entries can also help develop the persistence that writers desperately need. A story that failed in the Olga Sinclair Award several years ago served its time in my rejects drawer, was then re-written and re-named, and went on to success in the Hysteria Short Story Competition. It can be seen under Writings on our masthead, together with Tanya’s Across the River, a winner in Writer’s Forum, and Marshmallow Truth, a winner in Writing Magazine. Both stories were entered in a number of competitions over the years without any real success. Persistence pays off.

So what’s stopping you?

Costa Short Story Award. Short stories up to 4,000 words on any theme. Prizes: £3,500; £1,000; £500. FREE ENTRY.  DEADLINE 3 AUGUST. Entry details from: http://www.costabookawards.com

Ilkley Literature Festival Short Story and Poetry Competition for short stories and poetry. DEADLINE 1ST AUGUST. Short story, maximum 3,000 words. Entry fee £5. Prize: £200. Poetry, maximum 30 lines. Entry fee £5. Prizes: £200; £100; £75. Details: http://www.ilkley-literaturefestival.org.uk/join-in/competitions

Exeter Story Prize and Flash Competition. Story: max 10,000 words. Flash: max 1,000 words. Fee: £12. Prizes: £500 plus trophy; £150; £100. Tricia Ashley Award for best humorous entry: trophy plus £200. Deadline 31 August. Details: http://www.creativewritingmatters.co.uk/competitions.html

1000-Word Challenge. Flash: max 1000 words. Entry fee: £5. Prizes: ££100; £50; £25. Details: http://www.1000wordchallenge.com

Bench Theatre’s Supernova 8 Festival of new one act plays will take place at the Spring Arts and Heritage Centre, Havant, Hampshire in February 2019 and if you are resident in the UK, or a British citizen, you have until 17 August to submit a play for consideration for the festival. There is no entry fee and although no payment is made, if your play is performed you will gain all-important performance credit. Submit original plays of a maximum of 45 minutes and no more than six actors. Shortlisted plays will be given feedback. Full details: http://www.benchtheatre.org.uk/supernova.php

The HWA Dorothy Dunnett Short Story Award is inviting entries of unpublished historical short fiction, set at least 35 years in the past, of up to 3,500 words. The winning story will receive £500, publication in The Whispering Gallery and on http://www.historiamag.com, mentoring sessions and tickets to the HWA Crowns ceremony in November, when the award will be presented. Runners-up will receive mentoring and invitations to the awards ceremony. The entry fee is £5 per story and the closing date is 31 August. Details: https://historicalwriters.org/dorothydunnett/

Aesthetica Creative Writing Award.  For unpublished poems of up to 40 lines and short stories of up to 2,000 words. Entry fee for poems: £12; short stories: £18. Details: http://www.aestheticamagazine.com/cwa

The Prague City of Literature Project is inviting applications for 2019 writer-in-residency stays. Six are available, each for a two-month period and writers-in-residence are reimbursed for a return ticket and provided with accommodation and a monthly stipend of 600 Euros. Applicants should have a cultural interest in Prague, at least one published literary work, a willingness to take part in the local literary life and a project they will be working on during their stay. At the end of their stay they must undertake to provide the Municipal Library in Prague with a text inspired by the residency to be used by the Prague City of Literature Project. Closing date to apply is 31 August. Details: http://www.prahamestoliteratury.cz

The C21 Drama Series Script Competition invites entries for a pilot script for an international TV drama series. Six finalists will present their script to a panel of commissioners and broadcasters, including representatives from Amazon, Netflix and the BBC. The winner will receive a $10,000 option from WritersRoom to develop the project. There is no entry fee. Deadline is 31 August and details can be found via: http://www.c21media.net/script/

The John O’Connor Short Story Competition 2018 offers a bursary to attend the John O’Connor Writing School and Literary Arts Festival in Armagh between 1 and 4 November, plus £250. The prize includes accommodation, but not travel expenses. The competition is for short stories between 1,800 and 2,000 words. There is an entry fee of £10. Deadline 28 August. Details http://www.thejohnoconnorwritingschool.com

As ever, please let me urge you to double check all competition details on the relevant website before entering.

Writing Competitions to Enter in July

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Cinnamon Press Annual Debut Fiction Prize, Daily Mail First Novel Competition

We’d all love to be shortlisted by the Bridport, but here are some other competitions worth considering, which should have fewer entries against which to compete. Working on a poem, short story or piece of flash fiction can provide a useful cure for writer’s block – or a break from the slog of editing a 100,000-word novel. Why not give one of them a go?

Daily Mail Random House First Novel Competition. The first prize in this competition for a novel for  adult readers is a £20,000 advance. Entries must be original, previously unpublished fiction in any genre for adults except saga, sci-fi or fantasy. In addition, entrants must not previously have published a novel with a valid ISBN, or be represented by a literary agent. The prize is an advance against publication and literary representation by Luigi Bonomi of LBA Books Ltd. Manuscripts must be available by March 2019 and the entry deadline is 13 July 2018. Please note, you must enter by post, sending the first 3,000 words of a debut novel, plus a 600-word synopsis, printed in 12pt font and double-spacing on single sides of A4, to Daily Mail First Novel Competition, c/o Penguin Random House Group, 20 Vauxhall Bridge Road, London. SW1V 2SA. Website details: http://www.dailymail.co.uk/first novel

The Brighton Prize wants short stories between 1,000 and 2,000 words, and flash fiction up to 350 words. Short story prizes are: £1,000, plus 2 x £100. Flash Fiction prizes: £500, plus 2 x £50. ‘We love stories that work on the stage as well as they do on the page.’ Deadline 7 July. Details: http://www.brightonprize.com

Ledbury Poetry Festival Competition is for poems of up to 40 lines. Prizes: £1,000 plus a week at Ty Newydd; £500; £250. Entry fee: £5, £3.50 for each subsequent. Deadline 12 July. Details: http://www.poetry-festival.co.uk

Wrekin Writers are inviting entries up to 1,200 words for the 2018 Doris Gooderson Short Story Competition. There is a first prize of £200, a second of £100 and a third of £50. Half of the competition profits are donated to Severn Hospice. The entry fee is £5, and the closing date 12 July. Details: https://wrekinwriters.wordpress.com

Wasifiri New Writing Prize. Poetry, up to five poems; fiction and life writing up to 3,000 words. Prizes: £300 in each category, plus publication in Wasifiri. This is run by The Open University in London, so well worth supporting. Entry fee: £6 for one category; £10 for two categories; £15 for three categories. Closing date 15 July. Details: http://www.wasafiri.org

The H G Wells Short Story Competition is for short stories on the theme of ‘peace’ of 1,500-5,000 words. There is a £250 prize in the adult category and £1,000 in the Margaret and Reg Turnhill Prize for writers under 21. Winning entries will be published in an anthology. Adult entry fee is £10, while under 21 entries are free. Closing date is 23 July. Details:  https://hgwellscompetition.com/

HISSAC Flash Fiction and Short Story Competitions. Flash fiction: max 500 words. Story: max. 2000 words. Fee: £5; £12 for 3; £18 for 5; £25 for 7. Prizes: £250; £50; £25. Deadline: 31 July. Details: http://www.hissac.co.uk

The Olga Sinclair Award, promoted by Norwich Writers, is looking for short stories of up to 2,000 words on the theme of ‘markets’. There will be ten winners, with the top three receiving prizes of £400, £250, £100. All ten will be published in a non-profit-making anthology. Postal deadline is 16 July, online deadline 31 July. Details: https://norwichwriters.wordpress.com/the-olga-sinclair-open-short-story-competition/

Trapeze Books Write Your Own Love Story competition offers a £10,000 book contract plus mentoring from Trapeze author, Anna Stuart. One lucky runner-up will receive a place on a Curtis Brown on-line novel writing course worth £200. Send your first 5,000 words, plus biographical details and a brief synopsis by 30 July to lovestories@orionbooks.co.uk  Full details and advice on what they’re looking for at: https://www.curtisbrowncreative.co.uk/sam-eades-on-write-your-own-love-story-a-new-competition/

Inktears Flash Fiction, up to 500 words. Prizes: £250; £50; £25 x 8, plus your story and biographical details published to the readership of the Inktears website (something well worth taking a look at).

To Hull and Back Humorous Writing Competition. Do you have a well-developed sense of humour? Christopher Fielden is looking for ‘funny stories’ up to 4,000 words and isoffering generous prizes: £1,000; £500; £250; 3 x £50; 14 x £25. Winners and those shortlisted will be published in an anthology, together with a writer’s profile, ‘a delightful picture of you, a short bio telling readers how amazing you are and details of  your website, if you have one.’ Entry fee: £11 for one, £18 for two and £22 for three. Closing date is 31 July. Details: http://www.christopherfielden.com

Original unpublished short stories are invited to enter the Sean O’Faolain International Short Story Prize 2018. First prize is 2,000 euros, plus a week-long residency at Anam Cara Retreat in West Cork, Ireland. There is a second prize of 500 euros and four shortlisted entries will receive 120 euros each. If a winner attends the Cork International Short Story Festival to collect their prize, hotel accommodation, meals and drinks will be provided. The entry fee is 15 euros and the closing date for submissions 31 July. Website: http://www.munsterlit.ie/SOF%20Page.html

Cinnamon Press Annual Debut Fiction Prize. The first 10,000 words of an unpublished novel, novella or short story collection. Prize: A year’s mentoring worth £1,000, plus publishing contract, and 100 copies of your novel. Entry fee: £12. Deadline 31 July. Details: http://www.cinnamonpress.com

Stroud Book Festival International Writing Competition 2018. Poetry up to 40 lines, flash fiction up to 500 words; Katie Fford Award for Mainstream Fiction excerpt up to 3,000 words and 200 word synopsis. Prizes: £500; £250; £100; and 4-night writing retreat. £50 Katie Fford award. Entry fee: £5, £3 each additional. Closing date: 31 July. Details: https://stroudbookfestival.org.uk

Novel Writing Scholarship. Irish author Marian Keyes is funding the Marian Keyes Scholarship, offering a place on Curtis Brown Creative’s six-month on-line course. Writers from under-represented backgrounds are strongly encouraged to apply. The course runs between 10 September and 4 March and is taught by Lisa O’Donnell. Writers should be either unmarried and not cohabiting, with an annual income of less than £25,000 and personal savings of less than £5,000, or married or cohabiting with a total household income of less than £35,000 and personal savings of less than £5,000. To apply, send 3,000 words of a work in progress and a one-page synopsis, and complete the online application form. Website: https://writ.rs/mariankeyesscholarship   Deadline: 29 July.

Checking out all these competitions is fiddly, and sometimes I sadly get things wrong, so please remember to check all rules and guidelines before entering.

Something for everybody there, surely? Good luck!

 

Competitions to Enter in June

 

First of all, check out my post of May 7, which gives details of the Richard & Judy New Novel Competition. If you want a crack at winning that £30,000 prize, the deadline is June 14. Soon.

In celebration of the centenary of the creation of Czechoslovakia and other Czech and Slovak anniversaries the free-to-enter 2018 BCSA International Writing Competition has a theme of ‘Anniversary’. The winning prize has been increased to £400 and there is a second prize of £150. Both winners will be published in the British Czech and Slovak Review. The British Czech and Slovak Association is a registered charity with the aim of ‘raising awareness of matters relating to the history, arts, literature, politics and economies and science of Britain and the Czech Republics and the societal transitions in those Republics since 1989’. There are no age, nationality or educational restrictions on entering the competition – and although erudite offerings are welcome, one of the past winners was a humorous story. The closing date is June 30 and full details can be found on their website: http://www.bcsa.co.uk

Farnham Flash Festival has launched a new flash fiction competition for stories up to 500 words, with prizes of £100 (adult category), £50 (age 14-18), and £25 (12-14 and 7-11). The entry fee is £5 per story and the closing date June 10. Details at: http://www.farnhamflashfestival.org.uk

The Moth Short Story Prize 2018 has a first prize of £3,000, a second prize of £250 plus a stay at Circle of Misse writing retreat in France, and a third prize of £1,000. Stories on any theme are welcome, as long as they are previously unpublished. Deadline June 30. Full details: http://www.themothmagazine.com

The biannual Dorset Fiction Award invites entries for its summer competition for short fiction up to 1,000 words. There is a first prize of £500, with the winner and nine runners-up published in an anthology. Entry fee is £7 per story, and the closing date June 9. Website: http://www.dorsetfictionaward.co.uk

VS Pritchett Story Prize for short stories of 2,000-4,000 words. Prize: £1,000 plus publication. Entry fee: £7.50. Deadline June 29. Details: https://rsliterature.org/award/v-s-pritchett-memorial-prize

Bath Flash Fiction Award, max. 300 words. Entry fee £9; £15 for two; £18 for three. Prizes: £1,000; £300; £100; 2x£30. Deadline: 15 June. Details: http://www.bathflashfictionaward.com

The Wigton Poetry Competition 2018 has a first prize of £1,500 and a runner-up prize of £400 for poems of up to forty lines. Three highly commended poets will each win £100. The entry fee is £6.50, three for £17, £5 each subsequent. Closing date June 8. Details (including extra prizes for poems written in Gaelic): http://www.wigtownbookfestival.com/poetry-competition

The Brighton Prize is open for stories in two categories: short stories between 1,000 and 2,000 words, with a first prize of £1,000 and two runners-up each getting £100. Entry fee is £8. Their flash fiction category is for fiction up to 350 words, with a first prize of £500, with two runners-up each getting £50. The entry fee is £6. There is a £100 book token for the best entry in either category from a Sussex-based writer. Winning entries will be published in an anthology. Website: http://www.brightonprize.com. Closing date June 30.

Please check entry details, especially deadlines, really carefully in case of error. And don’t forget Writers’ Forum and Writing Magazine also have competitions, some of them available for non-subscribers.

Richard & Judy New Novel Competition

Tags

Costa Book Awards, Elinor Olifant is Completely Fine, Gail Honeyman, Goodhouskeeping Novel Competition, Lucy Cavendish Prize, Margaret Kirk, Moniack Mhor Creative Writing Centre, Richard and Judy Search for a Bestseller, Scottish Book Trust First Chapter Award, Shadow Man

I’ve just caught up with the fact that Richard and Judy have launched another competition to find a first-time author with the potential to become a best-selling writer. Previously Tracy Rees, author of Amy Snow, and Caz Frear, author of Sweet Little Lies went on to enjoy fantastic sales after being chosen by them.

‘Search for a Bestseller‘, supported by W H Smith, is accepting manuscripts from unpublished writers until June 14th. Richard and Judy will then themselves be leading the selection process, helped by editors and agents. The winner will receive a £30,000 publishing deal with Bonnier Saffre, and specialist advice from literary agency Furniss Lawton.

Aspiring authors must submit 10,000 words of original fiction aimed at adults, plus a synopsis of the full novel and a short author biography, via Richard and Judy’s website: http://www.richardandjudy.co.uk/richard-and-Judys-Search-For-A-Bestseller-2018/711

Great novels rarely spring fully formed from their writer’s laptop. I’ve recently finished (and been bowled over by) Elinor Olifant Is Completely Fine by Gail Honeyman. As a work-in-progress, this book was shortlisted for the Lucy Cavendish Prize. In 2014, it won the Scottish Book Trust First Chapter Award, allowing Gail to spend valuable time shaping and editing at Moniack Mhor Creative Writing Centre.  Then, in 2017,  she was the Costa Book Awards winner. Not an overnight success, then. A hard worker rewarded.

Most novels evolve and grow over time. Entering your manuscript into competitions can give you the impetus to finally finish your book. A long-listing, or short-listing might provide the spur to invest in a writing course. Like Gail Honeyman, Margaret Kirk, who won the Good Housekeeping First Novel Competition in 2016 with Shadow Man, credits a crime-writing course at Moniack Mhor with ‘literally changing my life’. Something about that bracing Scottish air perhaps.

Competitions are a tremendous encouragement. Even if you don’t win. Even if you aren’t short-listed, or long-listed. Competitions concentrate the mind. They glue you to that laptop into the small hours and get the book written. Then all that’s needed is editing, persistence and yet more editing.