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Monthly Archives: December 2019

Where do good ideas come from?

30 Monday Dec 2019

Posted by ninevoices in Books for Christmas, Ed, Ideas, Inspiration, Newly Published, Plot, Read Lately, Satire, Writercraft

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Cheltenham Literary Festival, Franz Kafka, Ian McEwan, Jean-Paul Didierlaurent, Metamorphosis, Pulp fiction, Ros Schwartz, The Cockroach, The Reader on the 6.27

Where do good ideas come from?

Sometimes you read a book with a strikingly original and simple idea; you then think, “Well, of course, I could have thought of that if I I’d tried,” but the point is YOU DIDN’T.

Two examples from books I’ve just read:

The Cockroach by Ian McEwan. We know Kafka’s Metamorphosis, which opens with a man waking up to find he’s a giant insect. Why not reverse that? Have an insect who wakes up to find he’s turned into a man? Brilliant. And when we learn that that man is the British Prime Minister, who is leading the country into a whole new economic system that merely a few years back was advocated only by people who were thought crackpots …. Well, you can finish the sentence. A topical satire and, as I’ve said, a great and simple idea. (Unfortunately I’ll have to return the book to my sister who lent it to me, as she got it signed by the author at the Cheltenham Literary Festival.)

The Reader on the 6.27 by Jean-Paul Didierlaurent is the other (translated from the French by Ros Schwartz). Here the simple idea is to have a central character who loves books but is compelled to work in a factory that destroys them. This is an appalling place where books are pulped. They are devoured and converted into a disgusting slush by a dreadful and dangerous machine into which our hero has to climb each day as part of its maintenance. And each day he rescues a page from whatever book is going into its maw, and reads it to his fellow-commuters on the train to work the next morning. They love it. The other characters are grotesques, all with some often bizarre link to books and writing. (Fortunately I was given this by a friend so can keep it. Thanks, friend.)

Wondering what to do with that gift card you got for Christmas? You could see if you like as much as I did what these writers made of these original and simple ideas.

The Cockroach by Ian McEwan, published in 2019 by Jonathan Cape, ISBN 978-1-529-11292-4 RRP £7-99 (it’s only 100 pages)

The Reader on the 6.27 by Jean-Paul Didierlaurent, translated by Ros Schwartz, published in 2016 by Pan, ISBN 978-1-5098-3685-7 RRP £8-99

PMRGCA – Jane’s story

09 Monday Dec 2019

Posted by ninevoices in Jane, PMRGCAuk

≈ 6 Comments

As promised: Jane’s account of how the condition changed her life.

 

PMR (polymyalgia rheumatica) is a painful, debilitating condition which affects
the muscles. Symptoms and the condition’s severity vary from patient to
patient.

GCA (giant cell arteritis) can occur on its own but about 25% of patients with
PMR suffer from GCA. As the name suggests enormous cells form in the wall of
inflamed arteries. This affects the normal flow of blood to many areas of the
body. A patient’s sight is particularly at risk and this may occur unless
treatment is started quickly. The condition may cause headaches and
tenderness at one or both sides of the forehead, blurred vision, and (in my
case) jaw pain when chewing. It makes you feel very unwell generally.

I became ill, suddenly, seven years ago in August 2012. I was a fit and healthy
68 year old. Peter (my husband) and I had just completed an eight-mile strenuous walk along a coastal path in Wales when pains developed in my hands, then my shoulders. Within a few hours I was in agony. I couldn’t climb into bed. I couldn’t even switch on a light.

My GP was very quick to act. Blood tests showed my CRP (inflammation
marker) was 168 (normal is less than 5.) However, despite seeing a very senior
rheumatologist, diagnosis was slow. By now I was in a wheelchair. Strong
painkillers had very little impact on my symptoms. The rheumatologist was
unsure whether I had Rheumatoid Arthritis or PMR. He gave me a 60mg
steroid injection and within a few hours I could move and the pain subsided.
GCA was diagnosed five months later. I was lucky. As I was taking steroids
already, my risk of sight loss – in one or both eyes – was very much reduced.

PMR and GCA are auto-immune diseases. Although the majority of patients suffer with just one condition, some patients develop other auto-immune diseases. For the past seven years I seem to have a new diagnosis about once a year. The worst of these is Rheumatoid Arthritis. I have a severe form of this.

The good news is that new drugs are being developed all the time. I am on a
trial for a biological drug. It is hoped that, in the future, steroid-sparing
treatments such as this, will prevent the devastating side effects of conditions
such as GCA. In my case, I have had no GCA flares since starting the bio drug
twelve months ago. Even more importantly, I feel so very much better and, best of all, I am off steroids – they can have long-lasting side effects when
taken for many years at high doses. I am also able to walk about a mile without
suffering from overwhelming fatigue.

Much more research is needed to find treatments (such as the bio drugs) and
research any potential long-term problems with them. At present, the bios are
very expensive, so doctors have to ration their use. There’s a nice irony that
having so many auto immune conditions has worked in my favour.

Ninevoices is a group of nine enthusiastic writers. We met nearly twenty years ago, and have got together every fortnight for most of that time. We have organised several writing competitions and the members decided to donate any profits to the little known charity: PMRGCAUK. (Yes, terrible title. The organisation is trying to find a better one.)

I was delighted and so was the organisation. Each of you, who entered our
competition, has taken PMRGCAUK one tiny step further to finding affordable
treatments and, hopefully one day, a cure.

Thank you all so much.

Jane Dobson

Our competition had two aims…

09 Monday Dec 2019

Posted by ninevoices in Competition, Competition Winners, PMRGCAuk

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Many congratulations to Barbara Leahy, whose winning story is published below, and also has a page of its own – see link at the top.

We’d like to add that we had two aims in running the competition.

One aim was to encourage writers to write: either new writers just getting started, or or those who felt a little stuck.  We hope we were successful in that.

Our second aim was to raise money for a charity – PMRGCAUK – that’s little known and is at the back of the queue for funding.  In that, thanks to you, we know we were successful.  A cheque for all the profits will shortly be going to the charity.

Since the condition itself is so little known or publicised, but wreaks such havoc in suffererers’ lives, we plan to publish the accounts of some sufferers over the next few months.  To begin with, we share the story of our own Jane, who was struck down with a whole buffet table of illnesses over the course of tha last few years.

We hope this will help to shine some light on a crippling but little researched disease.

 

 

2019: Winning story

06 Friday Dec 2019

Posted by ninevoices in Ninevoices' winning short story

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Winner: Ninevoices Summer Short Story Competition 2019

 

 

The Chocolate Summer

by Barbara Leahy

 

Six months after my father died, when the money had run out, Grandmother Allen found us a cottage by the river, and paid the first month’s rent. Our new home squatted in a shady hollow, overshadowed by yellow-leafed birch trees. The sagging roof gave the impression that the cottage was sinking into the landscape, in retreat from the river, the fields, the road beyond. The inside was dark, the ceilings low.

‘She’s coming to see us tomorrow,’ my mother said, folding my grandmother’s letter. She sat in my father’s old armchair, drinking spoonfuls of tea from the cup I’d brought her, something she never allowed me to do. ‘Don’t forget to thank her.’ The tea became a bitter medicine; she swallowed with difficulty, sending the spoon rattling back to the saucer.

‘It is a pity about the children. He is not used to children.’ I came downstairs next morning to find Grandmother at the basin, sinking a jug into the water, rinsing my mother’s long brown hair. ‘They say he lives in a chateau in Normandy.’ Grandmother eased my mother’s head from the basin. ‘It is your only hope, Margaret.’ My mother knelt in silence, dampness darkening the back of her blouse.

Later, I watched my mother dress. She was going to a dance at the Grand Hotel with a man she had met that afternoon, a man my grandmother knew. He was a Frenchman, an old college friend of my father’s. He came to the village every summer to study the wild flowers on the riverbank.

My mother had only one evening dress; a coral satin she had not worn since my father died. ‘Sponging would ruin it,’ she said, fingering a wavering tidemark at the hem.  I saw a dark spot form suddenly on the satin, then another. She stood up, covering her face. ‘Run and cut roses for my hair. Watch for thorns.’

We weren’t allowed into the parlour when Monsieur Florian called. Tom hushed May and the twins, and I pressed my ear to the door. I heard a voice, light and musical, yet still a man’s voice; a voice that seemed to dance around the room.

Footsteps approached. With a swish of her skirt, my mother came into the kitchen and placed a box on the table. ‘For you,’ she said. ‘From him,’ and with a warning finger over her lips, she slipped back through the door.

The box was pink and flattish, tied with a maroon ribbon holding an adornment of silk roses. I uncurled the soft petal of one rose with a fingertip. ‘Fancy sweets,’ Tom said, turning away.

I took one end of the ribbon and pulled, until the bow unravelled and fell away from the box. The lid glided upwards in my hands.

It seemed to me then, that something pushed up through the earth and slate into the dimly lit kitchen; a fragile, unfurling hope. The box was filled with glossy chocolates, their perfect polished surfaces unclouded by touch. Crystallised violets, Grecian silhouettes, iced curlicues in a language I could not read. They nestled in delicate paper cups, frilled, lacy underthings. I breathed in cocoa butter and salted caramel, strawberry fondant and coffee cream.

‘Bastard!’ Tom said, grabbing the box and mashing the lid closed. He swung the back door open and ran through the garden. At the river’s edge he raised his arm, and the box flew, lid lifting, chocolates jolting. The pink cardboard floated downstream, dragging a clump of sodden flowers behind it.

One night, later that summer, when I brought roses for my mother’s hair, she was sitting at the mirror, smoothing fingertips over her cheeks. ‘Henri loves roses best,’ she said, as though speaking to her reflection. The satin dress had been massaged in cold water, rolled in fresh towels, but two tear stains still showed on the bodice.

Monsieur Florian greeted me every week with a precisely angled bow and a kiss to my right hand. We used to sit together in the parlour, waiting for my mother.  Sometimes he jumped to his feet to admire the view of the river. ‘I am a botanist, like your father,’ he told me. ‘I knew your father; a good man.’

Soon footsteps would sound on the stairs. Like a magician, Monsieur Florian would conjure a box from nowhere, present it with one word, ‘Mademoiselle!’ I would take the box with a stab of longing for the chocolates clustered in paper petticoats, knowing they would be thrown, minutes later, into the river he had admired.

One evening, he told me he was writing a book about flowers native to the region. ‘I have discovered varieties most rare,’ he said. ‘Someday, perhaps, you would like to see?’

Before I could reply, my mother came in, her hand already extended for his kiss. They left me in the doorway, staring at the gauzy crepe paper wrapping of his latest gift. The box smelled faintly of orange blossom. I would make Tom keep it, I decided. This time I would taste the dainty chocolates.

But that box followed all the others, flying through the air, floating downstream.  The pulped cardboard caught on a rock, released, and washed away.

The following Friday, Monsieur Florian told me the foliage of weeping birches should be green, not yellow. ‘Disease,’ he said, tapping a forefinger against the window pane. ‘An advanced case.’

Words spilled from me. ‘Tom throws your chocolates in the river. You must never bring them again.’

He turned to face me, and I saw I had confirmed something for him, stamped a seal on a letter already written.

‘So many children,’ he said.

Next morning, my mother’s bedroom door was closed when I arose, and downstairs I found three roses wilting on the slate floor.

It was midday when I found the parcel on the doorstep. I brought it upstairs, and my mother turned away when I placed it on her pillow.

When I returned later, her face was grey. One fist clutched a closely-written page. She nodded at a package lying on the sheets. I read my name, underlined with a flourish. Inside, wrapped in crackling cellophane and tied with a spray of curling gold ribbons, was a chocolate heart, as big as my hand, iced with an embroidery of flowers and twisting vines. I traced stem to leaf to flower, finding a tiny sugared butterfly, a candied ladybird, hiding among the petals. ‘He was fond of you,’ my mother said. ‘Yes, I am certain he was fond of you.’

I could hear her weeping softly as I closed the door. I thought of sharp teeth biting into the heart, crunching through the sugar paste, crushing the intertwining flowers. It was too beautiful to eat.

At the foot of the stairs I saw the flowers I had woven into my mother’s hair the night before. The edges of each petal were tinted russet brown, the colour of dried blood. The chocolate heart would melt in the heat of the summer, the icing would crumble. Whether it was eaten, or thrown into the river, or hidden in a cigar box under a bed, it could not last forever. Outside, a gust of wind sent a flurry of decaying yellow birch leaves rattling against the cottage windows. Autumn had arrived.

 

—–OOO—–

Barbara Leahy
Picture: Miki Barlok

Barbara Leahy is from Cork, Ireland. Her short stories and flash fiction have appeared in literary magazines and anthologies including Flash Magazine, The National Flash Fiction Day Anthology, The Irish Literary Review, and the Bridport Prize Anthology. Her stories have also been broadcast on RTÉ (Irish National) radio. She is delighted to have won the 2019 Ninevoices’ short story competition. 

We Have A Winner!

01 Sunday Dec 2019

Posted by ninevoices in Short Story Competition

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Barbara Leahy, Chocolate Summer, Indefinite Delay, Norman Coburn, Sylvia Plath

 

It is with great pleasure that we are able to announce that the winning story in our competition is The Chocolate Summer, by Barbara Leahy of County Cork in Ireland, with the runner-up being Indefinite Delay by Norman Coburn of Fife.

This was a challenging exercise on our part and we would like to stress that because your own story wasn’t a winner doesn’t mean it might not go on to triumph in another competition. As it is, your entry has contributed to a worthy cause and you are in possession of a fresh short story which we hope you enjoyed creating.

Nearly all the members of ninevoices have had stories which were rejected first time round but went on to be shortlisted or to win in a different competition. Our mantra is that of Sylvia Plath: I love my rejections. They prove I’m trying.

We will shortly post Chocolate Summer on this blog.

 

 

 

 

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