Things I heard Simon Mawer say

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'The Glass Room', 1968, Arthropods, Czech Centre, Czechoslovakia, HG Wells, Hitchhiking, Man Booker Prize, Mendel's Dwarf, Moody Blues, Oxford, Prague Spring, RAF, Simon Mawer, Warsaw Pact, Zoology

This week I heard the author Simon Mawer speak about writing: specifically about his novel Prague Spring, but also his other Czech-based books The Glass Room and Mendel’s Dwarf. Prague Spring is set against the events in Czechoslovakia in the fateful summer of 1968, leading to the invasion by the armies of the Warsaw Pact.

Four things of writerly interest in my mind from that talk:

He was asked what effect having The Glass Room shortlisted for the Man Booker Prize 2009 had for his career. It benefited hugely, he said, sales went right up, though not as much as if he’d won! He was easy about not actually winning that year, he assured us, though he was just a bit galled when Hilary won it again two years later …

One good thing about being a novelist, he told us, is that you can reinvent your own life. The example he gave was how in the summer of 1968 he had hitchhiked around Europe with a male friend. When in Bavaria they had discussed whether to cross into Czechoslovakia, then enjoying the best days of the Prague Spring, but had decided to go to Greece instead: a decision he had ever since regretted. In Prague Spring two of his main characters set out from England to hitchhike across Europe – a male student (as he had been) James, but this time with an attractive female companion, Ellie; and this time events lead them to cross the Iron Curtain (and thus into the story) rather than go to the Italian sun as planned.

He used more of his own direct experience in James and Ellie’s story. When he and his friend had been hitching they were given a lift by a German lady harpsichordist who interrogated him where he was studying, and when he gave the name of his Oxford college she asked if he knew a particular law professor there, whose friend she was. In Prague Spring he retells this story, with James and Ellie meeting a lady cellist who, likewise, is a friend of a don at his Oxford college.

Perhaps less commonly for novelists, Simon Mawer has a scientific background: his degree was in zoology and for many years he worked as a biology teacher. This shows in a remarkable simile in one of the extracts he read to us on Tuesday: a Russian tank lost in the streets of Prague is likened first to a Martian in HG Wells’ The War of the Worlds but then, more uniquely, to a reptile or arthropod, the muzzle of its gun being a proboscis, which “shifts back and forth, as though sniffing the air, perhaps even trying to work out where the humans have gone.” Not an image that would have occurred to those of us with English literature or history backgrounds, perhaps.

In thrillers, he reminded us (and in whodunits, come to think of it), everything that happens must be related to the plot. But life, of course, isn’t like that. Lots of things happen that don’t link up with anything else. But in a novel you can explore these, and tell them for their own sake. One bizarre episode that features in Prague Spring but is not essential to the plot is the appearance of the Moody Blues. They actually were in Prague at this time, and the day before the Russian invasion they were filmed performing on the city’s famous Charles Bridge. Their appearance in the novel adds colour and interest and tells a true story, and you’re glad it’s there, but in a thriller you’d be wondering what its significance was.

(You can see this surreal performance on YouTube – go to https://www.youtube.com/watch?v=w4_xCA4IO7U , to see these Brummies miming Nights in White Satin to adoring fans on an otherwise empty Charles Bridge for a Franco-Belgian TV programme. It’s strange to think that 24 hours later that area was busy with invading soldiers.)

Truth Is Stranger Than Fiction Dept: In his interview Simon Mawer asked us to reflect on the fact that once the invasion happened, the British Embassy somehow arranged for the Moody Blues to be flown out of the country, apparently in an RAF transport plane. How was it, he asked, that in all the chaos and busyness of those events, someone managed to persuade the new Warsaw Pact controllers of the country to allow an RAF plane into Czechoslovak air space to evacuate a group of British pop singers? Would you dare put such an unlikely happening in a novel?

The interview was organised by the Czech Centre at the Czech Embassy in London. Simon was interviewed by Prague-based journalist David Vaughan, followed by a lively Q&A session with the audience.  Thanks, Czech Centre!

Prague Spring was featured on this blog at https://ninevoices.wordpress.com/2018/12/10/prague-spring/ and The Glass Room at https://ninevoices.wordpress.com/2017/08/15/the-glass-room-revisited/ . You can listen to all of Simon Mawer’s talk at https://soundcloud.com/czech-centre-london/simon-mawer-prague-spring .

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Oxbridge Literary Festivals this week

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Boat Race, Cambridge, David Owen, Francesca Simon, George Monbiot, Hilary Benn, Iris Murdoch, Jo Brand, Joanne Harris, K-Tel, Kazuo Ishiguro, Michael Heseltine, Michael Morpurgo, Mortlake, Oxford, Philip Collins, Putney, Ranulph Fiennes, Robert Harris, Roger McGough, Simon Mayo, Tracey Thorn, Val McDermid

This weekend sees the annual University Boat Race – Oxford squaring off against Cambridge on the Thames between Putney and Mortlake. But this time of year also sees a more cerebral rivalry – their Literary Festivals.

The dark blue Festival is already under way (https://oxfordliteraryfestival.org/) . Oxford events started on Saturday 30 March and continue till Sunday 7 April. “350 speakers from 25 countries”. Performers or interviewees still to come include Ranulph Fiennes, Robert Harris, Jo Brand, Kazuo Ishiguro, David Owen, Michael Heseltine, Val McDermid, Joanne Harris and Michael Morpurgo. And many more, as they used to say on the compilation LPs they used to sell in the 1970s. (Were they on the K-Tel label?)

Turning a paler blue, the Cambridge Spring Festival (http://www.cambridgeliteraryfestival.com/) runs from Friday 5 April to Sunday 5 April. Like Oxford’s, the schedule is too full to list here, but it includes George Monbiot on A Plea For The Planet, Tracey Thorn on A Teenager in Suburbia, Forever Iris (“celebrating the centenary of a magnificent novelist”), Philip Collins on How We Can Fix Our Broken Politics, Francesca Simon on Horrid Henry, Simon Mayo on The Power of Storytelling, Hilary Benn MP on Finding A Way Forward, and Roger McGough with A Night of Poetry and Performance. And many more.

Two real feasts! So if you have the time this week, get along to one of these two ancient seats of learning. You’ll come back with inspiration for your own writing, and rather a lot of books …

Should a writer spend time doing nothing? Byron did

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Allegra Biron, Byron, churchyards, doing nothing, Harrow School, John Peachey Esq, St Mary's church Harrow, Windsor

If you’re a writer, budding or established, do you spend enough time doing nothing, do you take time to stop and stare? Do you ever just sit or lie there, and look at the view?

No less a giant than Byron did just that. On this tomb in the churchyard of St Mary’s church in Harrow-on-the-Hill. It was presumably in better repair then, and without the railings subsequently put on because of the very fame he had brought it. Its occupant was “John Peachey Esq, of the island of St Christopher’s”, who has thus gained prolonged and unintended fame because of his grave’s location and the identity of its famous lounger.

According to a picture in the guide to the church, Byron lay on it propped up on his elbows. This looks uncomfortable, but it seems he lay there for hours, looking at the view, for when addressing the elm that was then above the grave he wrote,

“Thou drooping Elm! Beneath whose boughs I lay,
And frequent mused the twilight hours away …”

A plaque at the spot says, “In school he was known for his witty epigrams and satires, but it was here, surrounded by reminders of mortality, that he invoked a more melancholy and reflective muse.”

He was a pupil at Harrow School at the time (from 1801 to 1805), so either he just played hooky when he should have been inside doing his homework, or noble scholars like him didn’t have homework to bother with. The plaque says that he came here “to escape the restraints of school life”. The guide to the church does say that “he was rather an erratic student” at Harrow, and that he “was a ringleader in a lot to blow up George Butler who the boys did not want as Head Master”, so perhaps the teachers were quite happy to let him lie for hours in the churchyard …

His poem “Lines Written Beneath An Elm In The Churchyard Of Harrow” can be found at http://www.famouspoetsandpoems.com/poets/lord_byron%20/poems/5989. The first verse is reproduced on the stone at the front of the tomb, put there in 1905 by the son of one of his school friends.

The elm he addressed went long ago but here are its successors. In 1822 Byron was planning where to bury his 5-year-old daughter Allegra, and he wrote:

“There is a spot in [St Mary’s] churchyard, near the footpath, on the brow of the hill looking towards Windsor, and a tomb under a large tree (bearing the name of Peachie, or Peachey), where I used to sit for hours and hours when a boy. This was my favourite spot …” He wanted Allegra to be buried in the church, with a stone memorial bearing his own composition, but his reputation was so bad that the Rector and churchwardens refused his request and buried her in an unmarked grave. Today there’s a memorial to her near the south porch. (An account of this little girl’s sad life can be found at https://darkestlondon.com/tag/harrow-on-the-hill/.  Warning: Byron does not come out of this well.)  Here’s the view towards Windsor:

So, o writers ye, you are allowed to take time off just to gaze and muse. You don’t have to always be checking your e-mails or honing your synopsis. But where do you do this? In a churchyard like Byron? In your local park (will there one day be a plaque on a bench saying “This was Lavinia’s favourite spot”?)? On a country ramble?     Do tell …

 

 

 

 

Albert Finney and Rosamunde Pilcher

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Alan Sillitoe, Albert Finney, Christopher Marlowe, Cornwall, German TV, Henry Fielding, Room at the Top, Rosamunde Pilcher, Saturday Night & Sunday Morning, Tamburlaine, Tom Jones

Albert Finney RIP – I think I read Saturday Night and Sunday Morning before I saw the film (it will have had an A or an X certificate and I wouldn’t have been old enough to get into the cinema) but remember realising that the novel was something different.  And Albert Finney on film as Arthur Seaton was, well, definitive.  (I don’t know where my own copy now is, but seeing that old Pan paperback pictured this week I noticed that it really did say on the front “Makes Room at the Top look like a vicarage tea party”: I’d thought that that was just a cliché, but no, it was really used.)

An aunt took me to see Tom Jones at the cinema – another amazing Finney performance – and my copy of the book has my name and ‘1966’ written in it in her best calligraphy.  I see that the book cost a massive 8/6 – a lot for a schoolboy, so maybe she gave it to me.  I don’t know which I did first – see the film or read the book.  I’m sure I missed a lot of Henry Fielding’s jokes but I do remember the excitement of seeing as an A Level English student what a skilled writer could do with irony and description and character.  And why not go on for 800 pages?  Why stick at the 180 or 200 my usual reading matter then had?

My third Finney/literature moment was seeing him on stage at the National Theatre as Tamburlaine in 1976.  I’d read Tamburlaine and had wondered how this prolonged bombast-fest could possibly be staged (and what constitution the actor in the lead role must have!).  Well, Albert Finney was magnificent.  He made it work.  Christopher Marlowe would, I’m sure, have been delighted to see this massive anti-hero brought so compellingly to life.

Rather a different writer was Rosamunde Pilcher, who has also left us this week.  She sold 60 million books!  60 million.  Think of the sheer quantity of the pleasure she brought to her readers.  And that pleasure spread far and wide: a happy part of my Czech mother-in-law’s week would be watching Rosamunde Pilcher’s stories made by a German film company, in the most glorious Cornish settings, with Czech subtitles.  I don’t remember seeing those programmes in England but they have gone down well in Central Europe. Lots of red phone boxes and letter-boxes to remind the viewers where they are.

Must read The Shell Seekers one day.

So thanks, Albert Finney, and thanks, Rosamunde Pilcher.

 

Tsundoku – we’ve all got it (haven’t we?) …

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Arthur Conan Doyle, Bookshops, Church fairs, George Eliot, Japanese, Robert Browning, Royalties, To Be Read piles, Tsundoku

Tsundoku is the Japanese word for books you’ve bought but have not yet read. How brilliant to have such a word – why isn’t there an English one, we must have been piling them up just as much over here for just as long! Here’s some of my own tsundoku. Some was bought on impulse in a bookshop, some ordered after careful thought, some bought at a church fair because I was a friend of the person manning the bookstall and felt I had to buy something.

Authors, how do you feel about your work being tsundoku? Is it enough that your book caught a purchaser’s eye so much that he or she bought it? Or that you’ve had the royalty on that sale? Or are you somewhat put out that you’re still in the To Be Read One Day list?

If the latter, my apologies to the authors in my photo. I suspect that Robert Browning, George Eliot and Arthur Conan Doyle wouldn’t have minded that much.

 

Books make great presents

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Brexit, British Library Crime Classics, C J Sansom, John Bude, Pitt the Younger, Richard Askwith, Sophie Hannah, Stephen Fry, T H White, William Hague, Zatopek

A great gift haul this birthday and Christmas, my thanks to all the givers and authors!  All encouragement to those of us who like to put the odd word in front of another.

Thanks, guys.

 

‘Prague Spring’

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1968, Alexander Dubcek, Bielefeld, Czechoslovakia, Moody Blues, Prague Spring, Simon Mawer, Warsaw Pact

Topicality, or anniversaries, can give writers real opportunities.

The events of August 1968 are the setting for Prague Spring, the new novel by Simon Mawer. He has written before about Czechoslovakia, as readers of The Glass Room will know, that telling and compelling history of a villa that is remarkably like the Villa Tugendhat in Brno. (See https://ninevoices.wordpress.com/2017/08/15/the-glass-room-revisited/.) He shows the same confidence and attention to detail here.

The novel focuses on two diverse couples whose lives become intertwined in Prague as the political tension mounts, as Warsaw Pact troops are massing on the borders. Two students decide to hitch-hike across Europe: wealthy, Home Counties Ellie (revelling in the role of revolutionary socialist – this is 1968, remember!) and poorer, Sheffield-born James. Their relationship shifts as they find their way across Europe, depending on the opportunities or the hazards that face them. Dubček and “socialism with a human face” have been much in the news, and the toss of a Deutschmark decides that they will go to Prague to see it rather than head south to Italy for the sun.

Meanwhile, at the British Embassy in Prague, Sam Wareham (a fluent Czech- and Russian-speaking First Secretary) has met beautiful Lenka Konečková. She is the daughter of a victim of the show trials in the 1950s, and is someone anxious to enjoy the new freedoms the Prague Spring has brought. With her Sam explores this new optimistic world in ways that might well have been closed to him if he was confined to his usual round of Embassy socials and official trade union visits.

The mixture of this exciting new freedom, and the threats gathering at the frontier, generates a tension that pervades the love lives of these characters and the people they meet and the places they go. We visit a chaotic pop concert given by a ramshackle American pot-smoking pop group the Ides of March, and at classical concerts we are transported by the music of Dvořák and Brahms. We attend an exuberant political meeting; just like the hitchhiking couple, we meet a wide range of folk on the road, we come across an influential Party member, and we see shadowy people in action at the Embassy. Musicians feature quite prominently – as well the Ides of March we meet a famed German cellist, a more famous Russian conductor and his young violinist lover. There is even a cameo appearance by the Moody Blues (as a way of evoking the late 1960s in the minds of those of us who were there, bringing in Nights in White Satin is a masterstroke). Dubček is seen briefly. We visit Café Slavia and are greeted by a shortish man in a leather jacket who we are told later is a playwright … There is a lot of sex (as, I recall, there was in The Glass Room).

Reader, I don’t think I’m really spoiling it if I tell you that the paths of these two couples cross and the Russians do invade. The sense of massive confusion throughout the city when that happens is well described. The Prague Spring is being brutally brought to an end and our protagonists find themselves in the midst of the horror and the chaos.

Simon Mawer has included in the text four short explanatory notes to give some background: on the suspicious death shortly after the Communist coup d’état in 1948 of the Foreign Minister Jan Masaryk; on the Communists’ murder in 1949 of the democrat Milada Horáková; on the Bavarian-Czechoslovak border; and on ‘Ghosts’ – Kafka, Hašek, the Castle itself, and the letter from five members of the Czechoslovak Presidium to Brezhnev asking him to intervene to save the country from counter-revolution.

In August 1968 I was staying with a German family in Bielefeld. I recall their fear that the Russians wouldn’t stop at the Czechoslovak border.   Many readers will have their own memories of what it was actually like to be in Czechoslovakia as they unfolded: for those of us who don’t, Prague Spring is a novel that tries to capture that historic moment.

Published by Little, Brown ISBN 978-1-4087-1114-9

(This piece first appeared in the October/November 2018 issue of the British Czech & Slovak Review, the newsletter of the British Czech & Slovak Association – see http://www.bcsa.co.uk. To hear Simon Mawer talking about this book in a radio interview go to https://www.radio.cz/en/section/books/simon-mawers-prague-spring-a-complex-love-story-amid-the-drama-of-1968.)

Which Children’s Characters Still Walk Beside Us? Part III

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Corporal punishment, Down with Skool, Geoffrey Willans, Latin grammar, Molesworth, Ronald Searle, The Magic Pudding, Treasure Island

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Reading the posts on ‘Which Children’s Characters Still Walk Beside Us?’ I realise that I don’t have any such fellow-travellers.

Is that a male thing, or just me?

There were books I liked (eg The Magic Pudding) but I can’t claim to remember the characters by name. In my house we had a long-playing record of Treasure Island (the audio book of yesteryear!) which meant that I only ever heard that one intonation, the characters only ever had that one voice, and I didn’t really take to them. So I didn’t have Long John Silver or even Jim Hawkins as mentors or friends as I got older.

Molesworth perhaps has stayed with me longest. I look at my old copy of Down with Skool (1953, by Geoffrey Willans, illustrated by the great Ronald Searle) which I see

“Contanes Full Lowdown on Skools, Swots, Snekes, Cads, Prigs Bulies Headmasters …” etc.   Teachers say things like “This is not going to hurt me as much as it hurts you”, “I am hoping to get a job in the colonial service somewhere”, “Unless the culprit owns up the whole school will dig the vegetable garden”, “Mr Chips? No such character ever existed”, and “I am still hoping for a job in the colonial service somewhere.” Canes (or rather “Kanes”) are omnipresent, as are Latin verbs.

But even though I myself had Latin grammar literally beaten into me (I remember being caned for making the literally schoolboy error of thinking that castra, a camp, declined like mensa, a table), I can’t say that this shared experience made Nigel Molesworth my companion through life.

Then, at around 10 or 11 I discovered Agatha Christie, John Creasey and Erle Stanley Gardner. And the rest is history …

 

 

The Tonbridge Poetry Trail

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Poetry reading, Tonbridge

This is the month of the Tonbridge Poetry Trail. Poems of several local poets are displayed in the windows of many local shops, from Optimum IT Solutions at the north end of the town to Sulston’s Kitchen in the south (see https://roundelpoetrytonbridge.wordpress.com/events/ for more names). 24 shops, 24 poets, 24 poems …  Maps are available in most outlets. It’s all sponsored by the Tonbridge Festival.

There’s a reading on Tuesday, 30 October at 7-00 pm at the Tonbridge Basil’s (30 High Street). Should be good! (You’re asked to post on Facebook if you want to attend – https://www.facebook.com/events/570207576752852/ .)

 

Train delays can have their compensations

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Ancient Greece, Arachne, Athena, Bereavement, Chaos, Chislehurst, commuters, Europa, Matt Chamberlain, Stephen Fry, Train travel, Zeus

My train journey home on Tuesday evening was muchly delayed – long enough to qualify for a refund!  “Signalling problems in the Chislehurst area …”  But no worry: I had a seat, and some good reading material.  Two good reading materials in fact.  I settled down to a happy session.

I remember the green gaze is the latest poetry collection by Matt Chamberlain (for previous ones see the posts https://ninevoices.wordpress.com/2017/07/24/collaboration-one-mans-trash/ and https://ninevoices.wordpress.com/2016/12/29/lowering-awareness/ on this blog).    In his Foreword Matt Chamberlain talks about seeing things in colours.  He writes, “The preceding year has been difficult, with bereavements and faltering friendships …  But green says ‘calm tolerant, easy’, and when buffeted between red heat and deep blue cold, I sought its neutrality.   I longed for the return of nature.  I remembered the green gaze.”

‘A Father’s Day’ will echo with anyone who’s lost a loved one, thinking of the everyday actions that won’t be done again.  ‘Commuters’ suggests ways of passing a train journey, eg “Rain makes patterns and I imagine introducing people to their own reflections, me their gentle intermediary.”  ‘Counting’ describes the sheer abundance of nature: “Frank swept away twelve tons of leaves last night but morning said ‘I’ll raise you’; now the scarlet carpet is measured in fathoms.” ‘An Old Soldier’ recalls one’s youth in a way that will resonate; we won’t have in our own memory bank an Action Man stuck for years on a telephone line, but we’ll have the equivalent.

And many more, as they used to say on the sleeves of compilation LPs.  (Talk about going down Memory Lane!)

The other was Mythos, Stephen Fry’s retelling of many of the Greek myths.  As you would expect from him, it’s so readable, a fresh take on familiar stories.  And many of them that weren’t familiar to me.  Told with affection and a modern feel.  In the very first chapter, for example, describing Chaos and the creation of the universe, he explains how your trousers began as chaotic atoms, became your trousers, will become landfill, and in time will return to cold Chaos once the Sun expands and destroys the earth.   When telling the story of how Europa, changed by Zeus into a cow, swims across the Bosphorus, he delights in pointing out that ‘Bosphorus’ and ‘Oxford’ mean exactly the same thing.  Time and again we see the Greek origin of our words or our ideas.

His imagined conversations on Olympus entertain, as does his recognition that he is repeatedly introducing us to perfectly beautiful young people, who may well (but not always) come to sticky ends once their beauty attracts an Olympian.   Adonis, Ganymede, Narcissus, Echo, Psyche, Semele – they’re all here.

Sometimes he gives us interesting variants on what we’re used to.  Athena, for example, changes Arachne into a spider not because she presumptuously took her on in a spinning competition, but as a reward for being a great artist, the poor girl having just hanged herself in mortification a few moments before.

Eventually the signalling difficulties in the Chislehurst area were resolved.  But I hadn’t minded.