When only a Georgette Heyer will do

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Barbara Cartland, comedy, Georgette Heyer, heroes, heroines, Jane Austen, Of Human Telling, regency romances

‘I ought to be shot for writing such nonsense’ wrote Georgette Heyer, ‘but I think I should rather like it if I were sitting in an air-raid shelter or recovering from the flu.’

Nonsense Georgette Heyer’s regency romances may be, but there are times when they are just what the doctor ordered. From the first page we are taken into another world, knowing we are on safe ground where love and happiness will win through, in much the same way as Golden Age or cosy crime fiction leaves us with the reassurance that the baddies will get their come-uppance, good will triumph and order will be restored. Confidence and happiness is catching. Escapist literature gives us more than just a respite from our increasingly unpredictable and confusing world. It makes us feel better.

But why am I sounding so defensive? Perhaps because Georgette Heyer is sometimes viewed with disdainful superiority as being a literary stablemate of Barbara Cartland. Which is a mistake. This is not to criticise Barbara Cartland; I read one of her books when I was young and rather enjoyed it. But anyone who has read more than a page of the regency novels of these two authors knows how entirely different they are.

It’s not surprising that Jane Austen devotees are often voracious readers of Georgette Heyer; it’s not only the regency setting and happy endings the novels have in common but the perfect grasp of comedy. We never tire of the humorous aspects of Mr Bennet, Mrs Elton and Mr Collins and so it is with the unforgettable comic characters who pepper Georgette Heyer’s books. Ask Georgette Heyer fans about which novel or secondary character is the funniest and a clamour of opinions starts up, with Ferdy Fakenham in Friday’s Child a hot favourite.

Nor is it surprising that feminists often approve of Georgette Heyer because rather than creating soppy, milky heroines subservient to men, she shows us strong-minded, spirited young women who think and act for themselves: capable and feisty like Deborah in Faro’s Daughter and Sophy in The Grand Sophy who give as good as they get to any man who tries to rule them, intelligent and sensible like Drusilla in The Quiet Gentleman and Elinor in The Reluctant Widow.

Love doesn’t come one-size-fits-all either. We are shown mature love developing out of friendship in Sprig Muslin, the growth of self-knowledge and confidence in The Foundling, and a perceptive examination of the difference between infatuation and commitment in A Civil Contract.

‘A crash course in romantic novels – Georgette Heyer say – and men might learn what’s expected of them’ I made a disappointed character say with joking irony in my novel Of Human Telling. For Georgette Heyer offers us heroes to meet every changing taste as we grow older: boyishly charming Lord Sheringham in Friday’s Child, autocratic Lord Worth in Regency Buck, reformed rake Damerel in Venetia, philanthropic Waldo Hawkridge in The Nonesuch, wild Lord Vidal in Devil’s Cub, unassuming, kind-hearted Freddy in Cotillion. They may be very different but they have one thing in common: we can feel quite certain that they will always be faithful to the women they come to love and marry.

Georgette Heyer fans endlessly re-read her novels, catch themselves using the regency slang used by her characters, and hoard their tattered paperbacks so that unlike popular thrillers or issue novels you rarely find secondhand copies in charity shops. As the entirely wonderful Freddy Standen in Cotillion would say, stands to reason!

A woman ‘must improve her mind by extensive reading’ pronounces Mr Darcy in Pride and Prejudice, and nobody can argue with the principle in spite of the haughty manner in which it is delivered here. But most of us need a varied diet – light-hearted, sun-filled novels as well as more serious, thought-provoking, questioning ones.

There are many other delightful authors whom we may turn to for sheer undemanding enjoyment or when we are feeling ill or in need of comfort. I only know that Georgette Heyer will always, like Sir Tristram Shield in The Talisman Ring, ride ventre à terre to my side.

 

 

 

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Lovelives affected by the Old Vic

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Laurence Olivier, Memories, Old Vic, The Royal Hunt of the Sun

 

As part of its celebrations to mark its 200 years of existence the wonderful Old Vic theatre in London’s Waterloo has asked playgoers to send in personal memories of productions there.

Quite independently, two of the ninevoices have done so, Val and Ed. You can find us if you go to https://www.oldvictheatre.com/200/your-stories and scroll down.

The stories do rather give away our ages. More importantly, they show how going to the theatre can affect your love life, for better or worse ….

The Old Vic is still asking for more memories. So send them in – they don’t have to be amorous in content!

Her publishers refused to pulp it

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heroes, heroines, Hodder & Stoughton, Madam Will You Talk, Mary Stewart, Nine Coaches Waiting, publicity, Rachel Hore

Mary Stewart, that wonderful author of romantic suspense novels with exotic settings and a literary flavour,  would have been a hundred years old on 17th September.

Media coverage when she died on 9th May 2014, aged 97, offered a fascinating picture of a woman whose chart-topping novels gave us a new kind of heroine: a so-called ordinary girl suddenly thrown into a dangerous situation and who finds the courage and intelligence to deal with it. As Rachel Hore wrote in The Guardian, ‘Stewart’s stories were narrated by poised, smart, highly-educated young women who drove fast cars and knew how to fight their corner …. tender-hearted and with a strong moral sense.’

But at a time when authors apparently have to be super-confident and go about endlessly promoting their work, it’s especially endearing to read that when she saw her first novel Madam, Will You Talk? in proof form in 1954 she asked her publishers not to go ahead. ‘It felt like walking naked down the street,’ she said. Thankfully her publishers refused to pulp it. She never had an agent – her first novel was a direct submission – and she stayed with Hodder & Stoughton all her life.

It’s more than 40 years since Nine Coaches Waiting, the story of a girl hired to be governess to a small boy heir to a chateau in France for sinister reasons,  was read aloud to me at boarding school. It might have been chosen because of the educational value of the quotes from poets and playwrights adorning the start of each chapter, but we were all enthralled by the enigmatic hero Raoul. For Mary Stewart didn’t just give us heroines we long to be like; she gave us heroes with whom we will always remain in love.

‘Shadows of Ladenbrooke Manor’

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autism, butterflies, Clevedon, Cotswolds, Melanie Dobson

In the posting in April https://ninevoices.wordpress.com/2016/04/12/2000-words-a-day/ I told of my chance meeting with the author Melanie Dobson and what I had learned of her writing discipline. I’ve now had a chance to read one of her books, Shadows of Ladenbrooke Manor.   As you can see from Melanie’s website (http://melaniedobson.com/books/shadows-of-ladenbrooke-manor/) it’s a romantic historical mystery.

It opens dramatically in 1954 with a great storm in the Bristol Channel, that smashes into the town of Clevedon and sweeps young Maggie out to sea. She is pregnant by a handsome French seaman who has promised to return, but hasn’t. She feels that drowning might be the answer – but she is rescued by dependable local journalist Walter Doyle.

It is difficult to summarise the storyline without giving away too much. It’s a story of generations and of patterns that recur down the generations – patterns like forbidden love. The story of Maggie and Walter and their family in the 1950s, ‘60s and ‘70s alternates with happenings in the present day, as Heather Toulson arrives from America to sort out her late father’s cottage. This is in the Cotswold village of Bibury, next to Ladenbrooke Manor. The Manor belongs to the Croft family, but has been deserted by them since the mysterious death in 1970 of Lord Croft’s heir Oliver, found dead in the River Coln.   Heather finds herself seeking out the truth about his death, and she also has shadows from her own past to cope with.

At first I had thought this type of story wasn’t really for me. But as I read it I found that I cared for the characters and I wanted to know what happened to them. This is especially true of Libby, Maggie’s daughter, a girl who grows up wholly absorbed in her own world, a world of colour and pictures, and who is never happier than when she is roaming the gardens of Ladenbrooke Manor, dancing with her friends the butterflies. Her portrayal, and that of her parents’ concerns for her and the problems she faces and causes, is beautiful and moving. I also came to admire the portrait of Walter Doyle, whose roles of husband and father are under unwanted strain.

The stories are cleverly interleaved, and the appearance and reappearance of secondary characters in the different stories shows careful plotting. I liked it. The author’s demanding writing discipline paid off!

The book is published in the US by Simon & Shuster. I’m not sure that Melanie Dobson’s books are published in Britain, but they are available on Amazon. ISBN 978-1-4767-4614-2

Heart v Head

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EU referendum, Head, Heart, Jane Austen, Leave, Remain, Shakespeare

I’ve heard someone answer, when asked about the EU referendum, that their heart says Leave but their head says Remain. Heart v Head? That’s the theme of so many stories. A whole sub-genre of romantic novels, perhaps. Which are your favourites?

I first thought that Persuasion was in this category, but I’m not so sure now. When we get to the end we see that Heart wins, but by then we so much approve of Captain Wentworth that we would put Anne marrying him in the Head category too. Hmm.

In the typical Heart v Head story the presumption is that heart is in fact right.   Of course Jessica should elope with Lorenzo – they are young and attractive and in love. The practical and social downsides of this are simply discounted, or not even considered.

Can you think of a story where Head wins?

Thought not. As a writer, would you compose a story-line in which Head wins over Heart? Would such a novel work? Would people buy it?

(And how does that help decide over the EU …….. ?)