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Category Archives: Writercraft

Where do good ideas come from?

30 Monday Dec 2019

Posted by ninevoices in Books for Christmas, Ed, Ideas, Inspiration, Newly Published, Plot, Read Lately, Satire, Writercraft

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Cheltenham Literary Festival, Franz Kafka, Ian McEwan, Jean-Paul Didierlaurent, Metamorphosis, Pulp fiction, Ros Schwartz, The Cockroach, The Reader on the 6.27

Where do good ideas come from?

Sometimes you read a book with a strikingly original and simple idea; you then think, “Well, of course, I could have thought of that if I I’d tried,” but the point is YOU DIDN’T.

Two examples from books I’ve just read:

The Cockroach by Ian McEwan. We know Kafka’s Metamorphosis, which opens with a man waking up to find he’s a giant insect. Why not reverse that? Have an insect who wakes up to find he’s turned into a man? Brilliant. And when we learn that that man is the British Prime Minister, who is leading the country into a whole new economic system that merely a few years back was advocated only by people who were thought crackpots …. Well, you can finish the sentence. A topical satire and, as I’ve said, a great and simple idea. (Unfortunately I’ll have to return the book to my sister who lent it to me, as she got it signed by the author at the Cheltenham Literary Festival.)

The Reader on the 6.27 by Jean-Paul Didierlaurent is the other (translated from the French by Ros Schwartz). Here the simple idea is to have a central character who loves books but is compelled to work in a factory that destroys them. This is an appalling place where books are pulped. They are devoured and converted into a disgusting slush by a dreadful and dangerous machine into which our hero has to climb each day as part of its maintenance. And each day he rescues a page from whatever book is going into its maw, and reads it to his fellow-commuters on the train to work the next morning. They love it. The other characters are grotesques, all with some often bizarre link to books and writing. (Fortunately I was given this by a friend so can keep it. Thanks, friend.)

Wondering what to do with that gift card you got for Christmas? You could see if you like as much as I did what these writers made of these original and simple ideas.

The Cockroach by Ian McEwan, published in 2019 by Jonathan Cape, ISBN 978-1-529-11292-4 RRP £7-99 (it’s only 100 pages)

The Reader on the 6.27 by Jean-Paul Didierlaurent, translated by Ros Schwartz, published in 2016 by Pan, ISBN 978-1-5098-3685-7 RRP £8-99

Things I heard Simon Mawer say

22 Saturday Jun 2019

Posted by ninevoices in Ed, Fiction, Heard lately, Imagery, Writercraft

≈ 1 Comment

Tags

'The Glass Room', 1968, Arthropods, Czech Centre, Czechoslovakia, HG Wells, Hitchhiking, Man Booker Prize, Mendel's Dwarf, Moody Blues, Oxford, Prague Spring, RAF, Simon Mawer, Warsaw Pact, Zoology

This week I heard the author Simon Mawer speak about writing: specifically about his novel Prague Spring, but also his other Czech-based books The Glass Room and Mendel’s Dwarf. Prague Spring is set against the events in Czechoslovakia in the fateful summer of 1968, leading to the invasion by the armies of the Warsaw Pact.

Four things of writerly interest in my mind from that talk:

He was asked what effect having The Glass Room shortlisted for the Man Booker Prize 2009 had for his career. It benefited hugely, he said, sales went right up, though not as much as if he’d won! He was easy about not actually winning that year, he assured us, though he was just a bit galled when Hilary won it again two years later …

One good thing about being a novelist, he told us, is that you can reinvent your own life. The example he gave was how in the summer of 1968 he had hitchhiked around Europe with a male friend. When in Bavaria they had discussed whether to cross into Czechoslovakia, then enjoying the best days of the Prague Spring, but had decided to go to Greece instead: a decision he had ever since regretted. In Prague Spring two of his main characters set out from England to hitchhike across Europe – a male student (as he had been) James, but this time with an attractive female companion, Ellie; and this time events lead them to cross the Iron Curtain (and thus into the story) rather than go to the Italian sun as planned.

He used more of his own direct experience in James and Ellie’s story. When he and his friend had been hitching they were given a lift by a German lady harpsichordist who interrogated him where he was studying, and when he gave the name of his Oxford college she asked if he knew a particular law professor there, whose friend she was. In Prague Spring he retells this story, with James and Ellie meeting a lady cellist who, likewise, is a friend of a don at his Oxford college.

Perhaps less commonly for novelists, Simon Mawer has a scientific background: his degree was in zoology and for many years he worked as a biology teacher. This shows in a remarkable simile in one of the extracts he read to us on Tuesday: a Russian tank lost in the streets of Prague is likened first to a Martian in HG Wells’ The War of the Worlds but then, more uniquely, to a reptile or arthropod, the muzzle of its gun being a proboscis, which “shifts back and forth, as though sniffing the air, perhaps even trying to work out where the humans have gone.” Not an image that would have occurred to those of us with English literature or history backgrounds, perhaps.

In thrillers, he reminded us (and in whodunits, come to think of it), everything that happens must be related to the plot. But life, of course, isn’t like that. Lots of things happen that don’t link up with anything else. But in a novel you can explore these, and tell them for their own sake. One bizarre episode that features in Prague Spring but is not essential to the plot is the appearance of the Moody Blues. They actually were in Prague at this time, and the day before the Russian invasion they were filmed performing on the city’s famous Charles Bridge. Their appearance in the novel adds colour and interest and tells a true story, and you’re glad it’s there, but in a thriller you’d be wondering what its significance was.

(You can see this surreal performance on YouTube – go to https://www.youtube.com/watch?v=w4_xCA4IO7U , to see these Brummies miming Nights in White Satin to adoring fans on an otherwise empty Charles Bridge for a Franco-Belgian TV programme. It’s strange to think that 24 hours later that area was busy with invading soldiers.)

Truth Is Stranger Than Fiction Dept: In his interview Simon Mawer asked us to reflect on the fact that once the invasion happened, the British Embassy somehow arranged for the Moody Blues to be flown out of the country, apparently in an RAF transport plane. How was it, he asked, that in all the chaos and busyness of those events, someone managed to persuade the new Warsaw Pact controllers of the country to allow an RAF plane into Czechoslovak air space to evacuate a group of British pop singers? Would you dare put such an unlikely happening in a novel?

The interview was organised by the Czech Centre at the Czech Embassy in London. Simon was interviewed by Prague-based journalist David Vaughan, followed by a lively Q&A session with the audience.  Thanks, Czech Centre!

Prague Spring was featured on this blog at https://ninevoices.wordpress.com/2018/12/10/prague-spring/ and The Glass Room at https://ninevoices.wordpress.com/2017/08/15/the-glass-room-revisited/ . You can listen to all of Simon Mawer’s talk at https://soundcloud.com/czech-centre-london/simon-mawer-prague-spring .

Should a writer spend time doing nothing? Byron did

16 Saturday Feb 2019

Posted by ninevoices in Ed, Poetry, Writercraft

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Allegra Biron, Byron, churchyards, doing nothing, Harrow School, John Peachey Esq, St Mary's church Harrow, Windsor

If you’re a writer, budding or established, do you spend enough time doing nothing, do you take time to stop and stare? Do you ever just sit or lie there, and look at the view?

No less a giant than Byron did just that. On this tomb in the churchyard of St Mary’s church in Harrow-on-the-Hill. It was presumably in better repair then, and without the railings subsequently put on because of the very fame he had brought it. Its occupant was “John Peachey Esq, of the island of St Christopher’s”, who has thus gained prolonged and unintended fame because of his grave’s location and the identity of its famous lounger.

According to a picture in the guide to the church, Byron lay on it propped up on his elbows. This looks uncomfortable, but it seems he lay there for hours, looking at the view, for when addressing the elm that was then above the grave he wrote,

“Thou drooping Elm! Beneath whose boughs I lay,
And frequent mused the twilight hours away …”

A plaque at the spot says, “In school he was known for his witty epigrams and satires, but it was here, surrounded by reminders of mortality, that he invoked a more melancholy and reflective muse.”

He was a pupil at Harrow School at the time (from 1801 to 1805), so either he just played hooky when he should have been inside doing his homework, or noble scholars like him didn’t have homework to bother with. The plaque says that he came here “to escape the restraints of school life”. The guide to the church does say that “he was rather an erratic student” at Harrow, and that he “was a ringleader in a lot to blow up George Butler who the boys did not want as Head Master”, so perhaps the teachers were quite happy to let him lie for hours in the churchyard …

His poem “Lines Written Beneath An Elm In The Churchyard Of Harrow” can be found at http://www.famouspoetsandpoems.com/poets/lord_byron%20/poems/5989. The first verse is reproduced on the stone at the front of the tomb, put there in 1905 by the son of one of his school friends.

The elm he addressed went long ago but here are its successors. In 1822 Byron was planning where to bury his 5-year-old daughter Allegra, and he wrote:

“There is a spot in [St Mary’s] churchyard, near the footpath, on the brow of the hill looking towards Windsor, and a tomb under a large tree (bearing the name of Peachie, or Peachey), where I used to sit for hours and hours when a boy. This was my favourite spot …” He wanted Allegra to be buried in the church, with a stone memorial bearing his own composition, but his reputation was so bad that the Rector and churchwardens refused his request and buried her in an unmarked grave. Today there’s a memorial to her near the south porch. (An account of this little girl’s sad life can be found at https://darkestlondon.com/tag/harrow-on-the-hill/.  Warning: Byron does not come out of this well.)  Here’s the view towards Windsor:

So, o writers ye, you are allowed to take time off just to gaze and muse. You don’t have to always be checking your e-mails or honing your synopsis. But where do you do this? In a churchyard like Byron? In your local park (will there one day be a plaque on a bench saying “This was Lavinia’s favourite spot”?)? On a country ramble?     Do tell …

 

 

 

 

Today we have Naming of Characters

25 Wednesday Apr 2018

Posted by ninevoices in Characters, Ed, Fiction, Writercraft

≈ 2 Comments

Tags

Class, Dickens, Names, Nicole J Simms, TV soaps

We all have to give names to our characters. I’ve just read Nicole Simms’ latest blog (http://www.nicole-j-simms.co.uk/6-ways-i-find-names-for-my-characters/) which shows how systematically she sets about this task. It’s good of her to share these trade secrets!

Particularly helpful is the suggestion of going to baby name websites for names that were popular in the decade your story is set. And I like too the idea of noting the names of the cashier on receipts you get at the checkout. Thanks, Nicole.

I think the nearest I’ve got to being that systematic is poring over an atlas of Britain looking for suitable place names to use for my characters. Place names and occupation names are good sources: look at the traditional practice of TV soaps of using the latter for working-class characters – think of Butcher or Slater in ‘Eastenders’, or (I’m showing my age here) Elsie Tanner in ‘Coronation Street’.

The British class system can make this a minefield. You’d think that centuries of social movement would have muddled it all up more than it has, but you wouldn’t call your dustman character Piers Devereux or your son of an earl Gary Thackenthwaite.

One option is to go the Dickens route, and make up absurd names that actually are just right: Mr Bumble, Wackford Squeers, Ebenezer Scrooge!

And then there’s the whole world of names of overseas origin to choose from. Patel and Singh have been common English names for at least two generations. Poniatowski, Novotny, Fontanelli, van Dijk, Schmidt, Papadopoulos, Gomez, Le Blanc – take your pick when thinking about arrivals from the EU.

In my last story I came up with Freckleton Jessop as the name of a firm of solicitors: Freckleton from the Lancashire home village of a college friend and Jessop from the high street store (other camera shops are available).

I enjoy the search for a good name. It can take time, but it’s worth it if you get it right.

How do you set about it?

The Second Sentence Christmas Quiz – The Answers

12 Tuesday Dec 2017

Posted by ninevoices in Classics, Ed, Fiction, Writercraft

≈ 1 Comment

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Christmas, Quiz

In my previous post giving the Second Sentence Christmas Quiz questions (https://ninevoices.wordpress.com/2017/12/09/the-second-sentence-christmas-quiz/) I promised to reveal the answers today.

I now know that some people wish to tackle the quiz later and so would prefer me not to put the answers in public view before then. Accordingly, the answers are hidden in the Comment to this post.

Preparing the answers has shown me an egregious mistake, in question 14, caused by my imperfect editing. I’m so sorry! Grovel grovel.

The Second Sentence Christmas Quiz

09 Saturday Dec 2017

Posted by ninevoices in Classics, Ed, Fiction, Writercraft

≈ 1 Comment

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Christmas, Quiz

We all know the importance of the first sentence of your novel.  But I’ve never seen the experts talking about the second sentence.   If you’re meeting up with your writing or literary friends this festive season, you could try this quiz on them. Answers on Tuesday.

Of what novels are the following the second sentences?

  1.  Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall.

2 We had been wandering, indeed, in the leafless shrubbery an hour in the morning, but since dinner (Mrs Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question.

3 Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him.

4  Some years ago – never mind how long precisely – having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world.

5 The weather had changed overnight, when a backing wind brought a granite sky and a mizzling rain with it, and although it was now only a little after two o’clock in the afternoon the pallor of a winter evening seemed to have closed upon the hills, cloaking them in mist.

6 Pray, my dear, quoth my mother, have you not forgot to wind up the clock?———Good G__! cried my father, making an exclamation, but taking care to moderate his voice at the same time,——Did ever woman, since the creation of the world, interrupt a man with such a silly question?

7 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters; and her profile as well as her stature and bearing seemed to gain the more dignity from her plain garments, which by the side of provincial fashion gave her the impressiveness of a fine quotation from the Bible, – or from one of our elder poets, – in a paragraph of to-day’s newspaper.

8 With the ring of light from his lantern dancing from side to side, he lurched across the yard, kicking off his boots at the back door, drew himself a last glass of beer from the barrel in the scullery, and made his way up to bed, where Mrs Jones was already snoring.

9 Orbiting this at a distance of roughly ninety-two million miles is an utterly insignificant little blue-green planet whose ape-descended life forms are so amazingly primitive that they still think digital watches are a pretty neat idea.

10 Ursula was stitching a piece of brightly-coloured embroidery, and Gudrun was drawing upon a board which she held on her knee.

11 However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered as the rightful property of some one or other of their daughters.

12 They [the moon’s silver rays] shone on turret and battlement; peeped respectfully in upon Lord Emsworth’s sister, Lady Hermione Wedge, as she creamed her face in the Blue Room; and stole through the open window of the Red Room next door, where there was something really worth looking at – Veronica Wedge, to wit, Lady Hermione’s outstandingly beautiful daughter, who was lying in bed staring at the ceiling and wishing she had some decent jewellery to wear at the forthcoming County Ball. [Author and series of books sufficient here for the usual mark – extra marks if you can name the actual novel!]

13 A black servant, who reposed on the box beside the fat coachman, uncurled his bandy legs as soon as the equipage drew up opposite Miss Pinkerton’s shining brass plate, and as he pulled the bell, at least a score of young heads were seen peering out of the narrow windows of the stately old brick house.

14 It couldn’t have anything to do with him, he’d been flying for days without sleep.

15 My father got the dog drunk on cherry brandy at the party last night.

16 I remember him as if it were yesterday as he came plodding to the inn door, his sea-chest following behind him in a hand-barrow; a tall, strong, heavy, nut-brown man; his tarry pigtail falling over the shoulders of his soiled blue coat; his hands ragged and scarred, with black, broken nails; and the sabre cut across one cheek, a dirty, livid white.

17 Over the main entrance the words, CENTRAL LONDON HATCHERY AND CONDITIONING CENTRE, and, in a shield, the World State’s motto, COMMUNITY, IDENTITY, STABILITY.

The Opening Chapter

06 Wednesday Dec 2017

Posted by ninevoices in Ed, Fiction, Read Lately, Writercraft

≈ 1 Comment

Tags

Balloons, Daphne du Maurier, Enduring Love, Ian McEwan, M40, Rebecca, Vicar of Dibley

The opening chapter – it must really work, we’re taught. Maybe it’s the bit a potential agent would read. Maybe it’s the bit that a browser in a bookshop will look at. Maybe it’s the bit that will make a reader decide whether to carry on reading …

One of the most exciting opening chapters I’ve read is that of Enduring Love by Ian McEwan. This was recommended by our creative writing tutor, and as soon as I read it I could see why. Its dramatic account of a balloon ride gripped me. I think of it every time I drive down the escarpment on the M40 where it’s set (going towards Oxford, near Stokenchurch – as in the film shown during the opening credits of ‘The Vicar of Dibley’). Curiously, after that amazing start, the subject matter of the rest of the book drifts away from balloons. But that opening definitely made me read on.

The opening chapter of the book I’m reading now, Daphne du Maurier’s Rebecca, is another Must Read On one. Its description of the abandoned and overgrown Manderley is all the more evocative as it’s a dream, and reads with all the mystery and menace that a dream can have.

What opening chapters stay in your memory?

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