The end of June is approaching: best not put off any longer writing that story, recounting that memory, or describing that situation, so as to scoop the £400 first prize in the British Czech & Slovak Association’s 2023 writing competition. Go on – that blank page on your screen is so daunting, and you feel you really have to tidy your sock drawer before starting writing, but you also know that once you get started …
‘Marriage and Divorce’ is the suggested (but not compulsory) theme this year, prompted by the split of Czechoslovakia 30 years ago, but this can be interpreted in any way you choose. Or not used at all – what must feature is either (1) the links between Britain and the Czech and/or Slovak Republics, at any time in history, or (2) society in those Republics since 1989.
Yes, £400. Or £150 for the runner-up. Presented to you at the BCSA’s glittering Annual Dinner in central London. Or if that’s not your thing, paid discreetly into your bank account …
Maggie Davies and Sarah Dawson do such sterling work for us each month listing writing competitions for us to enter. Some of them are quite niche – some nicher than others.
You may wonder how these comps actually work out. Well, here’s the inside story of one of them last year. It certainly categorises as niche – perhaps it’s the nichest – and it’s the one I’m most involved with, the annual comp of the British Czech & Slovak Association. The subject matter for entries can be either (1) links between Britain and the Czech and/or Slovak Republics, at any time in their history or (2) society in those Republics since the Velvet Revolution of 1989. Each year there’s a suggested (but not compulsory) theme.
Freedom was the suggested theme in this year’s BCSA writing competition – freedom in any of its forms. The entrants showed their usual ingenuity in interpreting that. We took to the skies with a Czechoslovak pilot fighting for freedom in the Battle of Britain. In another entry we mused on the excitement and the hopes in Czechoslovakia when freedom was restored in 1989, and on the reality and disappointments since that great time (but ending, I’m glad to say, on an optimistic note). In a third entry we saw how the son of a well-off family in pre-war Czechoslovakia found his freedom working in a squalid farmhouse in southern Bohemia and then in a quarry in Derbyshire. In a fourth we joined an alcoholic gambler pondering the meaning of freedom in a Czech bar.
Non-freedom entries included our very first venture into the world of speedway, and a comic playlet showing a Czechoslovak Jewish refugee talking her way into a job at Roedean School in 1939.
Deciding on the winners is always difficult. But the judges managed it. Thank you, judges!
Second prize, winning £150, went to Liz Kohn, with a piece called Two Worlds. Liz has been researching her family history and in particular that of her father and his first wife, Alice Glasnerová. Her current research is into Alice’s trial and its relationship to the Slánský show trials of 1952 in Communist Czechoslovakia. Liz’s entry tells some of this story.
This year’s winner – taking home £400 – was Tereza Pultarová. Tereza is a London-based science and technology journalist, originally from Prague. She has degrees from Charles University and a Master’s in Science from the International Space University in Strasbourg. Her winning entry was The Final Incarnation – Chapter 1. It is the first chapter of a novel Tereza has written, whichdeals with growing up in 1990s post-communist Czechoslovakia, and explores how traumas from the Communist years live on through family dysfunction and alcoholism.
It was so good to be back in a proper setting for the presentation of the prize this year. In 2020 we presented the prize via Zoom, during one of the BCSA’s other events. Last year we had to do it by post. This year I had the privilege of marking Tereza’s success at our resumed Annual Dinner at the May Fair Hotel in London on November 23, as in the first photo above. (Thanks to Erik Weisenpacher for the photos.)
The winning entries (and a selection of the others) are published in the Assocation’s magazine, the British Czech & Slovak Review.
We’ll run the competition again in 2023. Watch our website, social media and the Review for details.
At ninevoices’ annual Christmas lunch we make writing resolutions for the coming year. Well, resolutions, like rules, are made to be broken as we find the following year.
However, that said, we shouldn’t be discouraged to start again. If your aim is to enter writing competitions in 2020, and perhaps you had a go at our 2019 Summer Competition, may we pass on some thoughts?
We settled down on a November day to discuss the stories that had received the most votes from our individual readings. Skipper was there as an impartial observer. What he learnt was that we did not agree. It has been said before we have varied reactions and likes.
The overwhelming consensus, however, was that we are lucky to belong to a group. Simple inconsistencies, spelling and grammar mistakes and typos are seized upon by our sharp-eyed colleagues.
So if you are setting out on the writer’s lonely path, we would persuade you to find the company of others to work with you. These others, and here we are unanimous, do not include your family and close friends.
A Happy New Year and good luck with your writing in 2020.
Many congratulations to Barbara Leahy, whose winning story is published below, and also has a page of its own – see link at the top.
We’d like to add that we had two aims in running the competition.
One aim was to encourage writers to write: either new writers just getting started, or or those who felt a little stuck. We hope we were successful in that.
Our second aim was to raise money for a charity – PMRGCAUK – that’s little known and is at the back of the queue for funding. In that, thanks to you, we know we were successful. A cheque for all the profits will shortly be going to the charity.
Since the condition itself is so little known or publicised, but wreaks such havoc in suffererers’ lives, we plan to publish the accounts of some sufferers over the next few months. To begin with, we share the story of our own Jane, who was struck down with a whole buffet table of illnesses over the course of tha last few years.
We hope this will help to shine some light on a crippling but little researched disease.
Many thanks to everyone who entered our 2019 competition. We will now roll up our sleeves, fasten our reading glasses on firmly, and start deliberations. The differences in our opinions is always a reminder that competitions are sometimes about ‘hitting the spot’ with a majority of judges. There will be hot discussion!
Shortlists follow shortlists …. I too am now enjoying this thrill (see Sarah’s previous post) having just heard that I was shortlisted in the 25th birthday writing competition run by the excellent Link Age Southwark. The competition’s theme was friendship and/or generations, and I sent in “She’s Leaving Home”, a story of parents packing their daughter’s belongings into the family car. This was the fruit of some ninevoices’ set homework. So it can pay to do that homework!
I look forward to reading the stores that won the prizes in the Link Age Southwark comp. Well done those guys!
I’m always heartened by writers’ honesty about disappointment – and, TBH, I have a lot more time for posts with titles like ‘The Rejection Diaries’ than for ones like mine above. But … yesterday Maggie posted her excellent monthly round-up of forthcoming competitions and as, minutes later, I found I’d been shortlisted for the Colm Tóibín International Short Story Award, I thought I’d just say how jolly grateful I am to her for her monthly reminders.
Do have a go at one of the October competitions she lists. You might get placed – and it’s such a boost!
A writing competition with a Central European twist! Exercise your imagination in a Slavic dimension in the British Czech and Slovak Association’s 2018 International Writing Competition, now open. If you win, £400 could be yours, presented at the Association’s annual dinner (so you and a companion would get a free meal as well), and your entry would be published in the British Czech & Slovak Review.
Anniversary – this year is the centenary of the creation of Czechoslovakia in 1918, but there are many other anniversaries to choose from in the history of the Slovak and Czech peoples: 1618 (the Defenestration of Prague and the outbreak of the Thirty Years War), 1848 (the Year of Revolutions), 1938 (Munich), 1948 (the Communist takeover) and 1968 (the Prague Spring and the Warsaw Pact invasion). (1989 was a year out!) You may know of others. So ‘Anniversary’ is the suggested theme in the 2018 BCSA writing competition.
Fiction or fact – either is welcome. The first prize of £400 and the second prize of £150 will be awarded to the best 1,500 to 2,000-word pieces of original writing in English which must be on (1) the links between Britain and the lands now comprising the Slovak and Czech Republics, or (2) describing society in transition in the Republics since 1989. Topics can include, for example, history, politics, the sciences, economics, the arts or literature. ‘Anniversary’ is this year’s suggested theme, but is not compulsory.
Submissions are invited from individuals of any age, nationality or educational background. Entrants do not need to be members of the BCSA. Entry is free. Entries must be received by 30 June 2018. An author may submit any number of entries. The competition will be judged by a panel of experts.
Entries should be submitted by post to the BCSA Prize Administrator, 24 Ferndale, Tunbridge Wells, Kent, TN2 3NS, England, or by e-mail to prize@bcsa.co.uk.
Administrator’s tip: If I could pass on one lesson from recent years, it is to read the instructions: in 2016 and 2017 several entries were disallowed (no matter how well written) because they did not deal with the prescribed subjects. Enjoy the writing!
If you are a fan of Barbara Pym and looking for the perfect short story competition to enter, the Barbara Pym Society’s 2018 Ellen J Miller Memorial competition could be made for you.
What could be more blissful than the brief which is that entries must prominently feature one or more characters from Barbara Pym’s published novels, in any setting or situation the author chooses? Readers of Barbara Pym know how her characters continue to live beside them, in moments of recognition, both painful and comic, while offering endlessly comforting human solidarity …
The prize for the winning entry is $250 and the story will be read at the Society’s annual North American Conference held in Boston March 2018. The deadline is 4 December. Details at http://www.barbara-pym.org/
Ninevoices are delighted to announce that the winner of our Summer Competition is ‘The Last Walk’ by Karen Martyn. Congratulations, Karen! The prize of £100 will soon be coming your way.
In our competition entrants had to use one or more words taken from a list of little-known words with meanings related to nature, such as smeuse (Sussex dialect for a hole in a hedge left by the repeated passage of a small animal – see photo) or petrichor (the smell of dry earth and rock that comes before and during rainfall). The required length was 99 to 199 words.
Our decision came after much discussion (really!). Entries came from across the world – from three continents, in fact. We were impressed by the imagination and ingenuity shown in the way our chosen words were deployed.
A close runner-up was ‘Stop the Rain’ by Christina Dalcher.
Special mention should also be given to the following entries:
‘Before and After’
‘The Mangrove Mist’
‘The Scent of Descent’
‘The Gloaming’
Our thanks to all those who sent us entries. Sorry there could be only one winner!