Rejection – The Fairy Story

With Hilary Mantel’s latest book due in the spring, and all those New Year Resolutions about writing, and re-writing, more, this blog of mine from 2015 seemed worth re-visiting.  Maggie.

ninevoices

You’re at the kitchen table, drooping over yet another rejected story. In her basket, Ruby, the cocker spaniel, looks expectant, head twitching and nose up. Then the door bell rings. She must have sensed a visitor. Anyway, she’s at the door ahead of you.

‘Hi, Ruby! I’ve come, as promised.’

The visitor sweeps past you into the kitchen while you remain, frozen, on the doormat. It is Hilary bloody Mantel, isn’t it? Are you going to scream? Faint? Wake up from a dream? And how does this world-renowned woman know your dog?

By now Hilary’s in the kitchen. She picks up your crumpled story, unearths a pencil from her bag, and starts scribbling all over it. ‘Just make me a coffee,’ she says, giving Ruby an absent-minded pat. ‘Instant will be fine, but make it strong.’

You’re in a trance as you boil the kettle. This wonderful writer is sitting…

View original post 197 more words

We have a Shortlist!

Tags

ninevoices writing competition shortlist

 

We are delighted to be able to give below our shortlist of summer stories, given in alphabetical order. Our winner, and runner-up, will be announced on December 1st.

Alaskan Salmon Fishing, Judi Johnson

Black Dog, Alwyn Bathan

The Chocolate Summer, Barbara Leahy

Destination: Summer Lane, R Herring

Day of the Flying Ants, Melanie Ross

Indefinite Delay, Norman Coburn

Synchronicity, Roz Balp

Summer Cycle, David Smith

Take Wing, K E  Olukoya

Under Canvas, Imogen Fairweather

This has been a challenging exercise. Some stories were absolutely loved by one or two of us, but didn’t chime with everyone. Others had promise, but could have done with one final edit. Saddest of all, one or two good stories had to be eliminated because they went over our stipulated word count. So, if your story isn’t on our list, don’t be despondent. Enter it into another competition. These things are notoriously subjective.

Our winner and runner-up will be announced here on the 1st December. Well done those that are on the shortlist, and thank you to everyone who took part. By doing so, we will be able to send a worthwhile donation to a charity providing much-needed support to people in need. We hope you also enjoyed creating a new story.

 

(Picture credit: Tom Hart @ Flickr)

 

Writing Competitions to Enter in June

Tags

Audio Arcadia's General Fiction Short Story Competition, Bath Flash Fiction Award, Bath Novel Award, British Czech & Slovac Association Competition for Short Stories and non-fiction, British Fantasy Society Short Story Competition, Bruntwood Prize for Playwriting, Divine Chocolate Poetry Competition, Hastings Literary Festival Short Story Competition, Impress Prize for New Writers, Ninevoices' Short Story Competition, Queen Mary Wasafiri New Writing Prize, The Moth Short Story Prize, VS Pritchett Memorial Prize, Wells Festival of Literature

This is a BIG MONTH for us, since we will be launching one of ninevoices’ rare and sought-after competitions on JUNE 21st. Please WATCH OUT FOR DETAILS on that date!

Meanwhile you can hone your skills on some of the other competitions out there – nobody said you need only enter one.

There’s just time to squeeze in for the Bath Novel Award deadline of June 2nd. They want the first 5,000-words of a novel, plus a synopsis. Prizes: 1st £2,500; 2nd, agent introductions and manuscript feedback; 3rd, Cornerstones’ course. Entry fee: £25. Details: bathnovelaward.co.uk

Bath Flash Fiction Award – a thrice-yearly competition for flash fiction up to 300 words. Prizes: £1,000; £300; £100, Entry fee: £9. Closing date for current competition 10 June. Details: bathflashfictionaward.com

Bruntwood Prize for Playwriting for full-length (at least an hour) new stage plays written in English, which have not been published or professionally performed. Prizes: £16,000; 2x£8,000. FREE ENTRY. Deadline 5 June. Details: http://www.writeaplay.co.uk

Divine Chocolate Poetry Competition for poems on the theme ‘how can chocolate change the world? From poets aged 7-11;  12-16; and 17-plus. Prizes: Divine chocolate and goodies. Free entry. Closing date: 14 June. Details: http://www.divinechocolate.com/uk/poetry

Queen Mary Wasafiri New Writing Prize for poetry (up to five poems), fiction and life writing, up to 3,000 words. Prizes: £1,000 in each category, plus publication in Wasafiri. Entry fee: £6 for one category; £10 for two categories; £15 for three categories. Closing date 28 June. Details: http://www.wasafiri.org

VS Pritchett Memorial Prize for unpublished short stories between 2,000 and 4,000 words. Prizes: £1,000, plus publication. Entry fee: £5. Closing date: 28 June. Details: http://www.rslit.org

British Fantasy Society Short Story Competition for any kind of fantasy short stories, horror, sf, magic realism, etc., up to 5,000 words. Prizes: £100, £50, £20, membership of BFS and publication in BFS Horizons. Entry fee: £5 (free for BFS members). Closing date: 30 June. Details: http://www.britishfantasysociety.co.uk

Audio Arcadia’s General Fiction Short Story Competition for stories up to 5,000 words. Prizes: Anthology publication, royalties. Entry fee: £5.50. Closing date: 30 June. Details: http://www.audioarcadia.com

Hastings Literary Festival Short Story Competitions, for short story, poem and flash fiction on the festival theme ‘In Other Words‘ – an exploration of difference and otherness. Prizes: £100; £40; £25 in each category. Entry fee: £5. Closing date: 30 June. Details: http://www.HastingsLitFest.org

Impress Prize for New Writers are looking for full-length debuts from unpublished fiction and non-fiction writers. Submit proposal and sample chapter, 6,000 words maximum. Prizes: £500 advance and publication. Entry fee: £25. Closing date: 30 June. Details: http://www.impress-books.co.uk

Wells Festival of Literature short stories between 1,000 and 2,000 words; poems up to 40 lines; stories for children. Prizes: £750, £300, £200, local prize of £100 in each category. Entry fee: £6. Closing date: 30 June. Details: http://www.wellsfestivalofliterature.org.uk

The Moth Short Story Prize 2019 for unpublished stories of up to 5,000 words on any subject. Prizes: 1st, 3,000 Euros; 2nd, Writing Retreat at Circle of Misse in France, plus 250 Euros; 3rd 1,000 Euros. Entry fee: 12 Euros. Closing date: 30 June.  Details: wwwthemothmagazine.com

Last, but by no means least, is the British Czech & Slovak Association Competition for short stories and non-fiction – up to 2,000-words – exploring the links between Britain and the Czech/Slovak Republics at any time. The suggested, but optional, theme for 2019 is ‘1989’. As has been said before, this does not have to be a worthy, scholarly piece (though please feel free, if that’s your thing…) but could equally be inspired by a honeymoon, a student trip, or even a hen-night, in Prague. By a haunting among those atmospheric buildings around Wenceslas Square. By a cold war spy tale. A memory of trying to make dumplings… ENTRY IS FREE. Prizes: £400, £150, publication in the British Czech & Slovak Review. Plus an invitation to a glittering dinner in London at which you will be presented with your prize.

As ever, let me urge you to check the details before entry. There’s a good spread of competitions this month, and I’m personally greatly tempted by the idea of receiving a hamper of Divine Chocolate… Just the thing to munch on while composing your 150,000-word masterpiece.

 

Competition

Credit: Dee Hartley, The Loneliest Stroll

The thrill of being shortlisted

Tags

Being shortlisted

I’m always heartened by writers’ honesty about disappointment – and, TBH, I have a lot more time for posts with titles like ‘The Rejection Diaries’ than for ones like mine above.  But … yesterday Maggie posted her excellent monthly round-up of forthcoming competitions and as, minutes later, I found I’d been shortlisted for the Colm Tóibín International Short Story Award, I thought I’d just say how jolly grateful I am to her for her monthly reminders.

Do have a go at one of the October competitions she lists.  You might get placed – and it’s such a boost!

It pays to improve your word power

Tags

Irish Independent, Reader's Digest

This was a heading in my uncle’s stack of Reader’s Digests. Here is a new word discovered courtesy of the Irish Independent. Tsundoku: the Japanese word for the practice of buying books and never reading them.

Dust Collectors

Tags

Anthony Trollope, Bryant and May series, Christopher Fowler, Diary of a Provincial Lady, George Eliot, Jane Austen, Jude the Obscure, Tanya van Hasselt, Woman's Weekly

That’s how my great-aunts dismissed books. Like all households they had Bibles, prayer books, a cookery book or two, and “ready reckoners” with curious rod, pole or perch measurements. The prayer books were miniscule with tissue paper pages and tiny print, but the horrors of childbirth could be imagined from The Churching of Women.

I have my grandmother’s Enquire Within upon Everything should I need to address the Younger Son of an Earl, prepare a potion for my children because I have made them sick with Brimstone and Treacle, or dance a Quadrille.

What did they do for stories? Woman’s Weekly perhaps, but I think it was taken for the knitting patterns. My mother had a collection of Home Chat magazines that might have contained stories, but I remember its “make do and mend” fashion pages.

Himself and I have shelves of dust collectors in every room. When it comes to novels he and I rarely read the same authors. A mutual favourite is the Bryant and May detective series by Christopher Fowler. Having finished The Water Room I suggested it could go to a charity shop. ‘No,’ he said, ‘when I’m old(!) I’ll have forgotten the plot and will read it again.’

I am not a re-reader of novels. (I can spend hours dipping into Enquire Within. I think I need paragraph 1530 Rules of Conduct drawn up by the celebrated Quakeress, Mrs Fry.)

Exceptions to my no rereading rule are Jude the Obscure – but not Tess of the D’urbervilles, too many dramatisations perhaps – and The Diary of a Provincial Lady, maybe the latter as I have a curiosity for outdated domestic detail, engendered by pouring over those early self-helps.

I think I may be alone among my fellow ninevoices. Tanya has declared that she will not read a novel unless she considers it will be worthy of rereading. This is evident from her character analyses of the works of Austen, Eliot, Trolloppe and many more. Often, too, she is reminded of passages from her favourite novels. However, she has inspired me to buy and rediscover Barbara Pym. I probably read library editions before: one way of limiting the dust collectors.

To read and reread, or enjoy the memory of the first experience? which may, of course, be faulty.

Diversity

At a recent meeting one of our members (bless) suggested that we should have homework that we would bring to the next session. The first theme set was on being awoken by a galloping horse at 3am. Ghost stories, a wife’s revenge and a rant on royal pageantry followed. Maybe these will be developed into fully-fledged stories (not the rant). Is it a good idea? Or does it distract us from other writing?

There’s a PS to this. We’ve had two other “homeworks” since and one of our members has become a poet.

Summer Literature Course: Jane Austen’s Literary Sisters

Ninevoices Summer Competition

Thank you all for your entries. We will discuss them at our next meeting and announce the winner mid-month.