Albert Finney and Rosamunde Pilcher

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Alan Sillitoe, Albert Finney, Christopher Marlowe, Cornwall, German TV, Henry Fielding, Room at the Top, Rosamunde Pilcher, Saturday Night & Sunday Morning, Tamburlaine, Tom Jones

Albert Finney RIP – I think I read Saturday Night and Sunday Morning before I saw the film (it will have had an A or an X certificate and I wouldn’t have been old enough to get into the cinema) but remember realising that the novel was something different.  And Albert Finney on film as Arthur Seaton was, well, definitive.  (I don’t know where my own copy now is, but seeing that old Pan paperback pictured this week I noticed that it really did say on the front “Makes Room at the Top look like a vicarage tea party”: I’d thought that that was just a cliché, but no, it was really used.)

An aunt took me to see Tom Jones at the cinema – another amazing Finney performance – and my copy of the book has my name and ‘1966’ written in it in her best calligraphy.  I see that the book cost a massive 8/6 – a lot for a schoolboy, so maybe she gave it to me.  I don’t know which I did first – see the film or read the book.  I’m sure I missed a lot of Henry Fielding’s jokes but I do remember the excitement of seeing as an A Level English student what a skilled writer could do with irony and description and character.  And why not go on for 800 pages?  Why stick at the 180 or 200 my usual reading matter then had?

My third Finney/literature moment was seeing him on stage at the National Theatre as Tamburlaine in 1976.  I’d read Tamburlaine and had wondered how this prolonged bombast-fest could possibly be staged (and what constitution the actor in the lead role must have!).  Well, Albert Finney was magnificent.  He made it work.  Christopher Marlowe would, I’m sure, have been delighted to see this massive anti-hero brought so compellingly to life.

Rather a different writer was Rosamunde Pilcher, who has also left us this week.  She sold 60 million books!  60 million.  Think of the sheer quantity of the pleasure she brought to her readers.  And that pleasure spread far and wide: a happy part of my Czech mother-in-law’s week would be watching Rosamunde Pilcher’s stories made by a German film company, in the most glorious Cornish settings, with Czech subtitles.  I don’t remember seeing those programmes in England but they have gone down well in Central Europe. Lots of red phone boxes and letter-boxes to remind the viewers where they are.

Must read The Shell Seekers one day.

So thanks, Albert Finney, and thanks, Rosamunde Pilcher.

 

‘Prague Spring’

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1968, Alexander Dubcek, Bielefeld, Czechoslovakia, Moody Blues, Prague Spring, Simon Mawer, Warsaw Pact

Topicality, or anniversaries, can give writers real opportunities.

The events of August 1968 are the setting for Prague Spring, the new novel by Simon Mawer. He has written before about Czechoslovakia, as readers of The Glass Room will know, that telling and compelling history of a villa that is remarkably like the Villa Tugendhat in Brno. (See https://ninevoices.wordpress.com/2017/08/15/the-glass-room-revisited/.) He shows the same confidence and attention to detail here.

The novel focuses on two diverse couples whose lives become intertwined in Prague as the political tension mounts, as Warsaw Pact troops are massing on the borders. Two students decide to hitch-hike across Europe: wealthy, Home Counties Ellie (revelling in the role of revolutionary socialist – this is 1968, remember!) and poorer, Sheffield-born James. Their relationship shifts as they find their way across Europe, depending on the opportunities or the hazards that face them. Dubček and “socialism with a human face” have been much in the news, and the toss of a Deutschmark decides that they will go to Prague to see it rather than head south to Italy for the sun.

Meanwhile, at the British Embassy in Prague, Sam Wareham (a fluent Czech- and Russian-speaking First Secretary) has met beautiful Lenka Konečková. She is the daughter of a victim of the show trials in the 1950s, and is someone anxious to enjoy the new freedoms the Prague Spring has brought. With her Sam explores this new optimistic world in ways that might well have been closed to him if he was confined to his usual round of Embassy socials and official trade union visits.

The mixture of this exciting new freedom, and the threats gathering at the frontier, generates a tension that pervades the love lives of these characters and the people they meet and the places they go. We visit a chaotic pop concert given by a ramshackle American pot-smoking pop group the Ides of March, and at classical concerts we are transported by the music of Dvořák and Brahms. We attend an exuberant political meeting; just like the hitchhiking couple, we meet a wide range of folk on the road, we come across an influential Party member, and we see shadowy people in action at the Embassy. Musicians feature quite prominently – as well the Ides of March we meet a famed German cellist, a more famous Russian conductor and his young violinist lover. There is even a cameo appearance by the Moody Blues (as a way of evoking the late 1960s in the minds of those of us who were there, bringing in Nights in White Satin is a masterstroke). Dubček is seen briefly. We visit Café Slavia and are greeted by a shortish man in a leather jacket who we are told later is a playwright … There is a lot of sex (as, I recall, there was in The Glass Room).

Reader, I don’t think I’m really spoiling it if I tell you that the paths of these two couples cross and the Russians do invade. The sense of massive confusion throughout the city when that happens is well described. The Prague Spring is being brutally brought to an end and our protagonists find themselves in the midst of the horror and the chaos.

Simon Mawer has included in the text four short explanatory notes to give some background: on the suspicious death shortly after the Communist coup d’état in 1948 of the Foreign Minister Jan Masaryk; on the Communists’ murder in 1949 of the democrat Milada Horáková; on the Bavarian-Czechoslovak border; and on ‘Ghosts’ – Kafka, Hašek, the Castle itself, and the letter from five members of the Czechoslovak Presidium to Brezhnev asking him to intervene to save the country from counter-revolution.

In August 1968 I was staying with a German family in Bielefeld. I recall their fear that the Russians wouldn’t stop at the Czechoslovak border.   Many readers will have their own memories of what it was actually like to be in Czechoslovakia as they unfolded: for those of us who don’t, Prague Spring is a novel that tries to capture that historic moment.

Published by Little, Brown ISBN 978-1-4087-1114-9

(This piece first appeared in the October/November 2018 issue of the British Czech & Slovak Review, the newsletter of the British Czech & Slovak Association – see http://www.bcsa.co.uk. To hear Simon Mawer talking about this book in a radio interview go to https://www.radio.cz/en/section/books/simon-mawers-prague-spring-a-complex-love-story-amid-the-drama-of-1968.)

21 August 1968

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1968, Bielefeld, Brezhnev, Czechoslovakia, Dubček, Invasion, Nigel Peace, Prague Spring, Radio Prague, Simon Mawer, Warsaw Pact

Historic events are often tragic but can form the setting for so many stories.

On 21 August 1968 the armies of the Warsaw Pact invaded their partner in the socialist bloc, Czechoslovakia. Thus ended the hopes of the Prague Spring, and then came ‘normalisation’ (Orwell would have been proud of that neologism), which put the Czechs and Slovaks back in their place behind the Iron Curtain for the two decades until 1989.

Two novels published this month focus on these terrible events. There will be several others!

Prague Spring is by Simon Mawer (author of the remarkable novel The Glass Room, reviewed on this blog at https://ninevoices.wordpress.com/2017/08/15/the-glass-room-revisited/). Two English students, Ellie and James, are hitch-hiking in Europe and are in Czechoslovakia at the key time, while Sam Wareham, working at the British Embassy in Prague, much in the company of Czech student Lenka Konecková, is discovering the world of Czechoslovak youth. But the Russian tanks are assembling … (Published by Little, Brown; ISBN 9781408711156)

Broken Sea: A story of love and intolerance is by Nigel Peace. It’s a love story set against the background of 1968. 18-year-old Roy has met Czech student in Wales and falls in love, but she feels she must return home. Their love develops, but can it last? Lives are so changed by the events of 1968, and are too many things kept secret? (Published by Local Legend; ISBN 9781910027233)

At this date fifty years ago I was staying with a German family in Bielefeld in West Germany. I recall vividly their alarm at the news of the invasion: would the Russians stop at the Czechoslovak border or carry on into West Germany? Fortunately for my hosts they stopped.

If you’re interested in the politics of it all, there’s a 12-minute piece on Radio Prague about the negotiations between Dubček and Brezhnev in the period leading up to 21 August – go to https://www.radio.cz/en/section/czech-history/kieran-williams-a-week-before-the-invasion-dubcek-still-believed-he-had-time.

 

Oxford short stories

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Bodgers, Bodleian Library, Colin Dexter, Olympics, Oxford, Oxford Homeless Pathways, OxPens, Sheep

Ninevoices have warned in the past of the dangers of being in Oxford if you’re a fictional character, and we’ve also extolled the works of other writers’ groups. The two come together in The Bodleian Murders and other Oxford stories, produced by the OxPens group in 2016.

This is the third of five collections of short stories OxPens have produced. It was a gift from my daughter and I’ve much enjoyed its variety. Some of the stories are University-based – such as of course the title story – but others are set elsewhere in the city or in the Oxfordshire countryside. Rural Bliss (set in a village near Chipping Norton) is a warning to husbands of the risks of not taking seriously enough your wife’s delight in rearing sheep. Oggi (set largely near Henley-on-Thames) is about bodgers, craftsmen who make chairs to order from wood they have, er, liberated from woods nearby.

History is well served. Burning Words takes us back to 1555, when the mere ownership of a book inscribed by a burned heretic could bring great danger. In The Stunner from Holywell we see the creation in 1857 of a beautiful painting by Rossetti and what happens to it a century later.  Colin Dexter appears in Just Keep Going, with encouraging word for uncertain writers.

A Visit from Social Services describes just that, and shows us the perils social workers face making house calls on the elderly. In Time for the Wake mysteriously links Oxford with a funeral in Nigeria. The Festival of International Art and Scholarly Culture, Oxford farcically takes us back to the excitement of Olympic year in 2012, when the local Arts Committee decide to join in the festivities in ways that may mean that the dreaming spires won’t get back to sleep for a long, long time. The death count in The Bodleian Murders rivals that in an episode in Midsomer Murders, and that in only ten pages.

There are 15 stories in all. Lack of mention of the other 6 here shouldn’t be taken as any form of criticism at all! Thanks, OxPens. (http://www.oxpens.co.uk/)

ISBN 978-1-904623-24-3 RRP £7-99 Available from Blackwells post free http://bookshop.blackwell.co.uk/bookshop/home    Profits from the book are shared with Oxford Homeless Pathways (formerly Oxford Night Shelter).

https://ninevoices.wordpress.com/2015/12/26/stay-away-from-oxford/ speaks for itself.

Other writers’ groups that have featured on this site:

https://ninevoices.wordpress.com/2015/08/26/an-evening-with-tunbridge-wells-writers/;

https://ninevoices.wordpress.com/2016/01/26/delayed-reaction/ (the Just Write group in Amersham)

https://ninevoices.wordpress.com/2015/10/25/our-friends-in-norwich-their-mustard-short-story-competition/ (Norwich Writers’ Circle)

“Enchanted Isle”

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'Catching the Wind', 'Family Fiction', Amusement parks, Christianity, Lake District, Melanie Dobson, Twitter

 

I wrote in an earlier posting about Catching the Wind by Melanie Dobson, a time-shift novel set largely in Kent and Sussex in WW2 and the present day (https://ninevoices.wordpress.com/2017/09/01/catching-the-wind-2/). I’ve just seen, through the wonder that is Twitter, an interview with the author on the Family Fiction website (https://www.familyfiction.com/melanie-dobson-finding-beauty-unexpected-places/).  In it she talks about Catching the Wind and also her newly published novel Enchanted Isle. This is also set in the past, in the 1950s, and is set in the Lake District, an area she is clearly taken with, with its inspiring “labyrinth of lakes and rich history”.

She speaks of her love of history and her need to set a limit to the research she does for her novels, so much does she enjoy that research. She also tells of her Christian faith and how that informs her writing.

The focus of Enchanted Isle is an abandoned amusement park, and “an unforgettable romance and an unsolved murder” dating from a generation before.

My copy is on order. Thanks, Twitter.

‘The Glass Room’ (re)visited

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'The Glass Room', Architecture, Brno, Czechoslovakia, Mies van der Rohe, Simon Mawer, The Velvet Divorce, Václav Klaus, Villa Tugendhat, Vladimír Mečiar

My wife and I were both so taken with The Glass Room by Simon Mawer that on our visit to the Czech Republic this month we made a point of visiting the Villa Tugendhat, the location (and indeed the centrepiece) of that fine novel. (See https://ninevoices.wordpress.com//?s=Glass+Room)

The Villa Tugendhat was a ground-breaking design in its time, the work of Mies van der Rohe in 1929–1930, and it’s a UNESCO World Cultural Heritage site. It’s in Brno, the second largest city in the Czech Republic. Mies van der Rohe was given an unlimited budget! Of which he took full advantage …

The description of the Villa Landauer – and of its creation – in the novel seem to be exactly those of the Villa Tugendhat. We marvelled at the onyx wall, the wall of glass and its mechanism for being moved up and down, and the wonderful views through it of Brno’s Castle – all of which feature prominently in the novel. Mies van der Rohe forbade the house’s first occupants from putting anything on the walls, as does the novel’s architect, Rainer von Abt, as ornament was a crime: our guide gleefully showed us the room where the Tugendhats hid their pictures when Mies van der Rohe came to visit.

Simon Mawer has thus written his novel about the real house: it’s even set on the Villa’s actual street, Černopolní. The stories of the occupants are rather more fictionalised, though not always drastically so. So, writers, this is what you can do with location!

Our guide told us that in real life the house has played its own part in the recent history of Central Europe. She told us that it was under a tree in the garden that in 1992 the Czech Premier Václav Klaus and the Slovak Premier Vladimír Mečiar met to discuss their opposing views on the way forward for newly free Czechoslovakia, and ended by deciding to split the country into two! That tree, apparently, died not long after …

My wife and I were thrilled by our visit to the Villa. The novel had inspired us to go, and our visit made the novel even more memorable for us. You can visit the Villa but you are advised to book at least two months in advance (see http://www.tugendhat.eu/en/). Guided tours in English are available, and well worth it. The young lady who took us round was clearly in love with the building herself!

Thanks, Simon.