• About
  • GCA and the need for funds
  • How to follow Ninevoices
  • Publications
  • Writings

ninevoices

~ Nine writers on reading and writing.

ninevoices

Category Archives: Classics

Troy

28 Friday Feb 2020

Posted by ninevoices in Art, Classics, Ed, Mythology, Seen lately, War

≈ 1 Comment

Tags

Achilles, Brad Pitt, British Museum, Byron, Cassandra, Chaucer, Clytemnestra, Euripedes, Euripides, Homer, Keats, Lady Hamilton, Margaret Atwood, Pat Barker, Penguin Puffin, Pompeii, Priam, Roger Lancelyn Green, Shakespeare, Sophocles, Stephen Fry, Troy, Virgil

The Trojan War has for centuries (millennia, even) inspired writers and artists.  We can think of so many writers – Keats, Byron, Shakespeare, Chaucer, Sophocles and Euripedes, as well of course as Homer and Virgil.  In our own time we can think of Margaret Atwood’s amazing Penelopiad (I wish I knew who it was I lent my copy to) and Pat Barker’s The Silence of the Girls.You can see how artists have mined this great seam at the splendid Troy – Myth and Reality exhibition at the British Museum.  But hurry – it ends on 8 March.

From a jar of 530 BC showing Achilles killing the Amazon queen to a poster of Brad Pitt as the same great warrior in Troy (2004), you can see in how many different ways art has portrayed the tale of Troy.   This picture of Helen boarding Paris’ ship for Troy was once on someone’s wall in Pompeii: what does that expression on her face mean?

This wonderful bowl shows Priam begging Achilles for the return of his son Hector’s body – it may well have been made in the time of Christ. We know that soldiers’ lives aren’t all danger and excitement, but there are long periods of boredom while the troops wait for something to happen. Here are Ajax and Achilles whiling away some time playing a board game.

 

 

 

 

 

Lady Hamilton’s life was lively enough without needing to call on the classics, but here she is as Cassandra (painted by George Romney).

And you shouldn’t mess with Clytemnestra – as her husband has just found out.  Look at her face and the step by her feet.  John Collier painted that.

The exhibition website is at https://www.britishmuseum.org/exhibitions/troy-myth-and-reality.

Like many others I first was taken with it as a child reading the Puffin books The Tale of Troy and Tales of the Greek Heroes by Roger Lancelyn Green.  I’m now much enjoying Stephen Fry’s so readable and entertaining retelling of the Greek myths – Mythos and, my current reading, Heroes.  This doesn’t get to the Trojan War – I hope there’ll be a third volume for that.

Sanditon – ‘I must not depend upon being ever very blooming again’

23 Thursday Jan 2020

Posted by ninevoices in Books, Classics, heroes, heroines, Humour, Jane Austen, Satire, Tanya, Television

≈ Leave a comment

Tags

Andrew Davies, Another Lady, Georgette Heyer, Marie Dobbs, Mr Woodhouse, Sanditon

In rereading Jane Austen, we are able to experience something of that age of elegance which too often eludes us in the twentieth century. We are unrepentant about this form of escapism and turn to her six novels for relaxation… Like Mr Woodhouse, we enjoy the company of these old friends best; and though we prefer their actual company to secondhand discussions and speculations about them, anything concerning them will always hold a fascination for us…. writes Another Lady AKA Marie Dobbs.

In her An Apology from the Collaborator, included at the end of Jane Austen’s Sanditon completed by Another Lady published in 1975, Marie Dobbs admits that she offers her version for our sheer enjoyment, aware that Jane Austen’s language, integrity and meticulous technique cannot be faithfully copied.

She was too hard on herself. Marie Dobbs’ completed Sanditon is peppered with delightful passages poking fun at human vanity and folly, which feel as though they could be written by Jane Austen herself. The Miss Beauforts… were certainly no longer content to remain on their balcony now these two personable young men were to be perceived strolling about admiring the Sanditon views. Indeed, they felt a definite obligation to improve the landscape for them immediately by dotting graceful feminine silhouettes wherever they be most visible. The very next day Miss Letitia carried her easel out of doors and began moving it from sand to shingle, from hill to Terrace with tireless and unselfish activity. No concern for completing her own sketches interfered with her sense of duty to adorn whatever vista might require her presence.

There is some splendid Austen-ish dialogue too, as in this speech from Reginald Catton, one of the only two on-stage characters added by Marie Dobbs: ‘So that was Miss Denham! Predatory female – Sidney warned me. He said I would not be in the least danger from anyone else – could handle all the Miss Beauforts with ease – but Miss Denham would be hanging about me forever if once she caught sight of my barouche. I told the groom to keep it well out of sight in the stables.’ 

Reginald Catton may also remind fans of Georgette Heyer of her comic young men about town, such as Ferdy Fakenham in Friday’s Child. Marie Dobbs makes the hero Sidney Parker resemble the witty, charming, teasing Henry Tilney in Northanger Abbey, but in his unassuming kind-heartedness there are echoes of Georgette Heyer’s endearing Freddy in Cotillion. The later developments of the plot come close to Heyer regency romances too – no problem for those of us who love both authors, as we must suspect Marie Dobbs did  – but perhaps some literary critics might argue that Jane Austen was intending to take a different and sharper line.

It’s difficult not to feel disappointment that Andrew Davies’ recent television adaptation of Sanditon didn’t follow the story and tone of the Another Lady/Marie Dobbs completed version. In the eleven chapters Jane Austen wrote before illness stopped her in March 1817, she set up everything we love in her other novels and Marie Dobbs fulfils the sparkling early promise with grace, respect and humour. Added to this we have in Sanditon a merciless satire of hypochondriacs and medical quackery, speaking to us all the more poignantly when we remember that Jane Austen was only four months away from her death on 18th July.

But as the ever-so-sensible heroine Charlotte says to the would-be seducer Sir Edward who has read more sentimental novels than agreed with him: ‘our taste in novels is not at all the same.’ Nor is our taste in television adaptations all the same, and this is probably a very good thing.

Albert Finney and Rosamunde Pilcher

10 Sunday Feb 2019

Posted by ninevoices in Classics, Ed, Film, Location, Obituary, Romance, Television, Theatre

≈ Leave a comment

Tags

Alan Sillitoe, Albert Finney, Christopher Marlowe, Cornwall, German TV, Henry Fielding, Room at the Top, Rosamunde Pilcher, Saturday Night & Sunday Morning, Tamburlaine, Tom Jones

Albert Finney RIP – I think I read Saturday Night and Sunday Morning before I saw the film (it will have had an A or an X certificate and I wouldn’t have been old enough to get into the cinema) but remember realising that the novel was something different.  And Albert Finney on film as Arthur Seaton was, well, definitive.  (I don’t know where my own copy now is, but seeing that old Pan paperback pictured this week I noticed that it really did say on the front “Makes Room at the Top look like a vicarage tea party”: I’d thought that that was just a cliché, but no, it was really used.)

An aunt took me to see Tom Jones at the cinema – another amazing Finney performance – and my copy of the book has my name and ‘1966’ written in it in her best calligraphy.  I see that the book cost a massive 8/6 – a lot for a schoolboy, so maybe she gave it to me.  I don’t know which I did first – see the film or read the book.  I’m sure I missed a lot of Henry Fielding’s jokes but I do remember the excitement of seeing as an A Level English student what a skilled writer could do with irony and description and character.  And why not go on for 800 pages?  Why stick at the 180 or 200 my usual reading matter then had?

My third Finney/literature moment was seeing him on stage at the National Theatre as Tamburlaine in 1976.  I’d read Tamburlaine and had wondered how this prolonged bombast-fest could possibly be staged (and what constitution the actor in the lead role must have!).  Well, Albert Finney was magnificent.  He made it work.  Christopher Marlowe would, I’m sure, have been delighted to see this massive anti-hero brought so compellingly to life.

Rather a different writer was Rosamunde Pilcher, who has also left us this week.  She sold 60 million books!  60 million.  Think of the sheer quantity of the pleasure she brought to her readers.  And that pleasure spread far and wide: a happy part of my Czech mother-in-law’s week would be watching Rosamunde Pilcher’s stories made by a German film company, in the most glorious Cornish settings, with Czech subtitles.  I don’t remember seeing those programmes in England but they have gone down well in Central Europe. Lots of red phone boxes and letter-boxes to remind the viewers where they are.

Must read The Shell Seekers one day.

So thanks, Albert Finney, and thanks, Rosamunde Pilcher.

 

Which children’s fictional characters still walk beside us?

27 Tuesday Nov 2018

Posted by ninevoices in Bestsellers, Books, Characters, Children's books, Classics, Tanya

≈ 1 Comment

Tags

A Little Princess, Anne of Green Gables, Apple Bough, Emily of New Moon, Frances Hodgson Burnett, L. M. Montgomery, Noel Streatfeild, Saplings, Susan Coolidge, What Katy Did

The children’s section of our local bookshop has been invaded by older adults buying Christmas presents for grandchildren. Watching them picking up titles from the classics shelf I wondered if they are secretly longing to buy the books they loved as a child rather than today’s bestsellers?

Perhaps all of us can remember the books which seemed to frame our childhood and become part of our identity. They were usually about ordinary children in the real world; they gave us companions who shared the same feelings and troubles. Such books were entertainment and escape, but also something even more valuable. They contained characters who inspired us with a wider vision. Without ever being preachy, they were stepping stones in the confusion of growing up and sorting out what matters in life.

Anne Shirley in the Anne of Green Gables series, Emily Starr in the Emily of New Moon series (L. M. Montgomery), Myra in Apple Bough, Laurel in Saplings (Noel Streatfeild), Katy Carr in What Katy Did (Susan Coolidge), Sara Crewe in A Little Princess (Frances Hodgson Burnett) – just some of the vital friends who lived beside me in childhood and ever since. It’s good to see them still on the shelves in bookshops along with today’s favourites Harry Potter, Hermione Granger and Matilda.

The most hateful character in fiction?

18 Wednesday Jul 2018

Posted by ninevoices in Classics, Jane Austen, Reading, Tanya, villains, Writing

≈ 1 Comment

Tags

Fanny Price, George Eliot, Gilbert Osmond, Grandcourt, Gwendolen Harleth, hateful fictional characters, Henry James, Jane Austen, Mansfield Park, Mrs Norris, The Portrait of a Lady

‘Make your nasty characters ten times nastier,’ advised the creative writing tutor. ‘Readers want strong definition so exaggerate the light and dark.’

She had a point. Even if you aren’t writing crime novels, it’s no good running away from the evil side of human nature. But it’s July 18th, the day that Jane Austen died 201 years ago, and I found myself remembering the careful subtlety of the unpleasant characters in her novels, such as Mrs Ferrars, Lucy Steele, General Tilney, Mrs Norris. Jane Austen never goes over the top.

If asked who we hate most, many of us would probably opt for Mrs Norris, the horrible aunt in Mansfield Park, because of the way she bullies Fanny Price, the terrified little girl taken away from her own family and Portsmouth home to live with her grand relations. Her vindictive spite continues to find fresh expression in the years that follow, but it’s the abuse of a defenceless child that we can’t forgive. Mrs Norris is both loathsome and entirely convincing: we know her. If Jane Austen had overdone Mrs Norris’ awfulness, she might have slid into a caricature and become less real.

Re-reading Henry James’ The Portrait of a Lady, I could see the same elegant restraint in the portrayal of the corrupt and manipulative Gilbert Osmond. We shiver because we see the trap Isabel has walked into, but it is not until chapter 42 that we know what she is suffering: ‘… it was as if Osmond deliberately, almost malignantly, had put the lights out one by one … under all his culture, his cleverness, his amenity, under his good-nature, his facility, his knowledge of life, his egotism lay hidden like a serpent in a bank of flowers.’  Her real offence ‘was her having a mind of her own at all. Her mind was to be his – attached to his own …’

In my mind, Gilbert Osmond and the sadistic, chilling Henleigh Mallinger Grandcourt, husband of Gwendolen in George Eliot’s Daniel Deronda (described in the ninevoices post Emotional abuse from a monster husband – and a complex fascinating heroine)  now tie for first place as the most hateful men in literature, while Mrs Norris is still without a serious female rival. But this is perhaps from a sheltered and limited viewpoint. What other fictional characters do we fear and hate?

 

The Second Sentence Christmas Quiz – The Answers

12 Tuesday Dec 2017

Posted by ninevoices in Classics, Ed, Fiction, Writercraft

≈ 1 Comment

Tags

Christmas, Quiz

In my previous post giving the Second Sentence Christmas Quiz questions (https://ninevoices.wordpress.com/2017/12/09/the-second-sentence-christmas-quiz/) I promised to reveal the answers today.

I now know that some people wish to tackle the quiz later and so would prefer me not to put the answers in public view before then. Accordingly, the answers are hidden in the Comment to this post.

Preparing the answers has shown me an egregious mistake, in question 14, caused by my imperfect editing. I’m so sorry! Grovel grovel.

The Second Sentence Christmas Quiz

09 Saturday Dec 2017

Posted by ninevoices in Classics, Ed, Fiction, Writercraft

≈ 1 Comment

Tags

Christmas, Quiz

We all know the importance of the first sentence of your novel.  But I’ve never seen the experts talking about the second sentence.   If you’re meeting up with your writing or literary friends this festive season, you could try this quiz on them. Answers on Tuesday.

Of what novels are the following the second sentences?

  1.  Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall.

2 We had been wandering, indeed, in the leafless shrubbery an hour in the morning, but since dinner (Mrs Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question.

3 Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him.

4  Some years ago – never mind how long precisely – having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world.

5 The weather had changed overnight, when a backing wind brought a granite sky and a mizzling rain with it, and although it was now only a little after two o’clock in the afternoon the pallor of a winter evening seemed to have closed upon the hills, cloaking them in mist.

6 Pray, my dear, quoth my mother, have you not forgot to wind up the clock?———Good G__! cried my father, making an exclamation, but taking care to moderate his voice at the same time,——Did ever woman, since the creation of the world, interrupt a man with such a silly question?

7 Her hand and wrist were so finely formed that she could wear sleeves not less bare of style than those in which the Blessed Virgin appeared to Italian painters; and her profile as well as her stature and bearing seemed to gain the more dignity from her plain garments, which by the side of provincial fashion gave her the impressiveness of a fine quotation from the Bible, – or from one of our elder poets, – in a paragraph of to-day’s newspaper.

8 With the ring of light from his lantern dancing from side to side, he lurched across the yard, kicking off his boots at the back door, drew himself a last glass of beer from the barrel in the scullery, and made his way up to bed, where Mrs Jones was already snoring.

9 Orbiting this at a distance of roughly ninety-two million miles is an utterly insignificant little blue-green planet whose ape-descended life forms are so amazingly primitive that they still think digital watches are a pretty neat idea.

10 Ursula was stitching a piece of brightly-coloured embroidery, and Gudrun was drawing upon a board which she held on her knee.

11 However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered as the rightful property of some one or other of their daughters.

12 They [the moon’s silver rays] shone on turret and battlement; peeped respectfully in upon Lord Emsworth’s sister, Lady Hermione Wedge, as she creamed her face in the Blue Room; and stole through the open window of the Red Room next door, where there was something really worth looking at – Veronica Wedge, to wit, Lady Hermione’s outstandingly beautiful daughter, who was lying in bed staring at the ceiling and wishing she had some decent jewellery to wear at the forthcoming County Ball. [Author and series of books sufficient here for the usual mark – extra marks if you can name the actual novel!]

13 A black servant, who reposed on the box beside the fat coachman, uncurled his bandy legs as soon as the equipage drew up opposite Miss Pinkerton’s shining brass plate, and as he pulled the bell, at least a score of young heads were seen peering out of the narrow windows of the stately old brick house.

14 It couldn’t have anything to do with him, he’d been flying for days without sleep.

15 My father got the dog drunk on cherry brandy at the party last night.

16 I remember him as if it were yesterday as he came plodding to the inn door, his sea-chest following behind him in a hand-barrow; a tall, strong, heavy, nut-brown man; his tarry pigtail falling over the shoulders of his soiled blue coat; his hands ragged and scarred, with black, broken nails; and the sabre cut across one cheek, a dirty, livid white.

17 Over the main entrance the words, CENTRAL LONDON HATCHERY AND CONDITIONING CENTRE, and, in a shield, the World State’s motto, COMMUNITY, IDENTITY, STABILITY.

Jane Austen’s husbands: why do clever men marry silly women?

01 Friday Dec 2017

Posted by ninevoices in Classics, Comedy, Jane Austen, Tanya

≈ 8 Comments

Tags

Charlotte Palmer, Elizabeth Gaskell, Jane Austen, Lady Middleton, Miss Bingley, Mr Darcy, Mrs Allen, Mrs Bennet, Mrs Gibson, silly wives, Wives and Daughters

‘Men of sense do not want silly wives’ says the wonderfully sensible Mr Knightley, that infinitely dependable hero whom everybody in Highbury – and Jane Austen’s readers – know to be an infallible guide. But who is really speaking here? Is Jane Austen having a secret laugh with us behind Mr Knightley’s back? After all, his own brother, astute and perceptive as he is shown to be, has married Emma’s sister Isabella who ‘was not a woman of strong understanding or any quickness.’

Clever men have a habit of marrying silly women in Jane Austen novels. Not that they mean to; it’s as if Jane Austen observed from life that sensible, rational men can be remarkably stupid in matters of the heart. Mr Bennet married without taking the trouble to discover that underneath the sexual attractions of youth and beauty his wife was ‘a woman of mean understanding, little information and uncertain temper.’ Not really a man of sense then, one can’t help thinking.

Mr Palmer has fallen into the same trap: ‘through some unaccountable bias in favour of beauty, he was the husband of a very silly woman’. Is the ironic inclusion of the word ‘unaccountable’ Jane Austen having another sly laugh at men?

A woman’s appearance is almost always what initially attracts and matters most to Jane Austen’s men. Even Mr Darcy, who we suspect has thought much on the subject, says of Elizabeth ‘she is not handsome enough to tempt me’, before eyeing her up and down and deciding that her ‘figure is light and pleasing’.

Sometimes even the possession of beauty or sex appeal doesn’t explain why silly women secure men of sense as husbands. ‘Mrs Allen was one of that numerous class of females, whose society can raise no other emotion than surprise at their being any men in the world who could like them enough to marry them. She had neither beauty, genius, accomplishment nor manner.’ But this excessively boring woman who talks of nothing but her gowns has still managed to get a husband. Jane Austen’s explanation is simple and sarcastic enough. ‘The air of a gentlewoman, a great deal of quiet, inactive good temper, and a trifling turn of mind were all that could account for her being the choice of a sensible, intelligent man like Mr Allen.’

So how do these men of sense conduct themselves when they realise that while they may not have wanted a silly wife, they have got one by mistake? Honourably it appears, though Jane Austen is not in the business of writing explicitly about extra marital forays. Mr Bennet, we are told, ‘was not of a disposition to seek comfort, for the disappointment which his own imprudence had brought on in any of the pleasures which too often console the unfortunate for their folly or their vice. He was fond of the country and of books; and from these tastes had arisen his principal enjoyments’.

Reading offers itself as an escape. Mr Bennet shuts himself up in his library; Mr Palmer buries himself in the newspaper: Lady Middleton, snobbish and less amiable than her sister Charlotte but equally vacuous ‘exerted herself to ask Mr Palmer if there was any news in the paper. “No, none at all,” he replied and read on.’

Silly women in Jane Austen novels do not care for reading. It is quite impossible to picture Mrs Bennet holding a book. Lady Middleton dislikes the Dashwood girls because they are well-read. Miss Bingley pretends to read, but only picks up a book because it is the second volume of the one Darcy is reading. Characters who don’t read are shown to be ill-educated and superficial; Mr Darcy may sound intolerably condescending when he pronounces that a lady should improve her mind by extensive reading, but it is clear that Jane Austen is generally in agreement with this principle, even if she can’t resist poking fun at its unfortunate effects in Mary Bennet.

These men of sense who marry silly women may resort to grumpy rudeness (Mr Palmer) or ridicule and mockery (Mr Bennet) or playing at cards (Mr Allen) but Jane Austen largely ignores any serious unhappiness in their marriages. As for the wives, silliness and good temper sometimes offers its own protection. Charlotte Palmer, pretty and giggling, prattles away, her sheen of stupidity sealing her off from the consciousness of what is going through her husband’s head.

In Jane Austen’s day marriage was the necessary goal for women, and understandably enough they had to use every weapon they possessed to achieve it. ‘My aunt Philips wants you so to get husbands, you can’t think’ – Mrs Bennet, Charlotte Palmer and Mrs Allen succeeded in this at any rate, so you could say they have the last laugh.

Jane Austen is careful to show us these disappointed husbands being thoughtful to other characters if not to their wives. But there is a touch of cruelty in her suggestion that stupid women deserve all they get or are too thick to have real feelings, and should be regarded as mere figures of fun. Although Elizabeth Bennet knows that her father’s treatment of her mother is ‘reprehensible’, as readers we are encouraged to forget about this in our enjoyment of his wit.

These unequal marriages give us some of the funniest scenes in Jane Austen’s novels. If we want a more sombre, serious  look at the regret suffered by a man of sense marrying in haste we have to wait for Elizabeth Gaskell’s Wives and Daughters with its brilliant creation of Mrs Gibson  – but that penetrating combination of comedy and tragedy deserves a post of its own.

Mr Collins and Mr Elton – our favourite Jane Austen clergymen?

18 Tuesday Jul 2017

Posted by ninevoices in Classics, Jane Austen, Tanya

≈ 8 Comments

Tags

clergymen, Jane Austen, Mr Collins, Mr Elton

John Henry Newman – before he left the Church of England to embrace Roman Catholicism – criticised Jane Austen for her failure to understand what being a priest meant. He was not alone. Both in her own time and since, Christians from both high and low church persuasions have found fault with Jane Austen for depicting the clergy in a less than flattering light and thereby bringing the church into disrepute.

A sense of humour failure or missing something? Jane Austen was a devout Anglican all her life. She was private about her faith, and not much given to talking about it or making her characters be any more expressive. But serious Christianity is there in her novels all the time, it’s the air the characters breathe, something understood. Wanting Jane Austen to be more explicit is wanting her to be a very different kind of author.

Her intentions and choices were essentially literary; she was not trying to make a point. The clergymen in her novels are never villains, nor are they based on anyone she knew. She merely invites us to laugh along with Elizabeth Bennet at ‘follies and nonsense, whims and inconsistencies’ in people of all sorts, clergymen included.

In half of Jane Austen’s six finished novels the hero is a clergyman (Northanger Abbey, Sense and Sensibility, Mansfield Park); in three the heroine is a daughter of a clergyman (Northanger Abbey and the two unfinished novels Sanditon and The Watsons).

Jane Austen certainly knew a vast number of clergymen. Her father was the rector of Stevenage in Hampshire; her brother James was a clergyman; in her letters there are references to over ninety of them. Clergymen were everywhere in society, and at a time of war they were particularly in demand.

But how the profession was viewed, who entered it, and why they did so, was very different to today. Some sixty per cent of graduates from Oxford and Cambridge went into the church, apparently accepting that being a clergyman was a job rather than a vocation. The scholarly range was wide; neither a degree in theology nor any training was required.

Young men of genteel birth but no income had only three available choices of profession: the military, the law, or the church. Edward Ferrars in Sense and Sensibility ‘prefers the church’ but this doesn’t appear to be for especially religious reasons. When his snooty mother thinks this isn’t grand enough for him, idleness seems to be the only alternative.

The livings of almost half the parishes in England and Wales lay in the gift of landowners; this was therefore an ideal way of providing for younger sons – as Sir Thomas Bertram does for Edmund in Mansfield Park. Vicars paid the salaries of their often poverty-stricken curates, sometimes leaving a curate in charge while holding another living elsewhere. As we see with Charles Hayter in Persuasion, without a parish, marriage and a decent standard of living were impossible, and without a patron or connection with a bishop, it was difficult to obtain one. But while pluralism and patronage, together with the way the Church of England was structured, may have opened the way for abuse and worldliness among the clergy, Jane Austen doesn’t criticise the system; she was more interested in illustrating how human beings behave within it.

Mr Collins in Pride and Prejudice is a caricature of the greedy clergyman greasing up to his patron, a stock figure of comedy recognisable to Jane Austen’s contemporaries. The clergy in her day were not necessarily expected to be above the ordinary material concerns and weaknesses of other human beings – and it’s in this way that she writes of them. They were food for wit and amusement alongside everyone else in society; as Jane Austen tells us in Northanger Abbey, the novelist must convey ‘the most thorough knowledge of human nature’ and ‘the happiest delineation of its varieties.’

That other most repellent clergyman, Mr Elton, is less of a figure of fun than Mr Collins. Becoming a clergyman was a way of social climbing at that time, and Mr Elton’s background is trade. In Highbury he can enter the small circle of gentry and seek to better himself by marriage within it. This would have been seen as natural enough by Jane Austen, if not by Emma. According to Mr Knightley (with whom one cannot possibly disagree) he is ‘a very respectable vicar of Highbury’ and known to perform his clerical duties efficiently and to visit the poor. His only real crime is his cruel behaviour to Harriet.

The formal duties of a parish priest at that time were two services on Sundays, a communion once a month, and baptisms, weddings and funerals. Although there was the extra work of glebe land and the often troublesome business of tithe collecting, in most of the novels there is a sense that the clergy have plenty of time to indulge in pleasurable pursuits the same as other gentlemen. Henry Tilney, whilst clearly a young man of high principle and religious conviction, is able to abandon his parish for weeks on end to attend balls in Bath. Mr Elton takes himself off to secure the appalling Augusta without anyone thinking he is neglecting his calling.

It is not until Mansfield Park, the most overtly religious of her novels, that Jane Austen examines the role of the clergy in any depth. For all Sir Thomas Bertram’s deficiencies as a father, he can think rightly on other matters: ‘a parish has wants and claims which can be known only by a clergyman constantly resident … human nature needs more lessons than a weekly sermon can convey; and that if he does not live among his parishioners, and prove himself, by constant attention, their well-wisher and their friend, he does very little either for their good or his own.’

The pleasure-seeking, wrong-thinking Mary Crawford considers that the clergy are a self-indulgent waste of space – not altogether surprising given that she is daily witnessing her brother-in-law Dr Grant’s obsession with the food on his plate. It is through the arguments between her and Edmund Bertram that a spiritual dimension enters into the writing and will eventually become essential to the plot. Edmund insists ‘I cannot call that situation nothing, which has the charge of all that is of the first importance to mankind, individually or collectively considered, temporally and eternally – which has the guardianship of religion and morals, and consequently of the manners which result from their influence.’

Edmund is presented as an almost perfect clergyman in spite of his occasional lapses of judgment, though we have to hope he is less obtuse with his parishioners than he was with Fanny at the height of his love for Mary. Jane Austen knew that good men are not always as perceptive as they ought to be. Edward Ferrars, too, will no doubt develop more gumption with the strong-minded Elinor beside him in the parish. The scintillating Henry Tilney, by standing up to his avaricious bully of a father, proves that he is not just extremely attractive and entertaining, but that Christian principles thoroughly govern his conduct.

Yet while we acknowledge the undoubted virtue and excellence of these three clergymen heroes, it has to be admitted that it’s Mr Collins and Mr Elton in whom we take the most enduring delight. It’s 200 years today since Jane Austen died: a good moment to feel endlessly thankful for such delicious and unforgettable characters. 

 

A challenging reading list

25 Thursday Aug 2016

Posted by ninevoices in Classics, Ed, Read Lately, Reading, Translation

≈ 4 Comments

Tags

BBC, Bohumil Hrabal, British Museum, David Lodge, George Eliot, Oxford, reading list, teachers, The Midlands

reading

A challenging reading list. It’s aimed at school students, but would do us all good if it widened our reading horizons. I found it attached to a tweet from King’s School in Worcester (@KSWLibrary), setting out what pupils (and staff!) are to read by February 2017 if they are to win a gold, silver or bronze award (if they want to podium, in fact). The tweet is dated 22 July if you want to hunt it down. The initiative is part of the BBC Year of Reading.

To win an award you should read:

  1. A book shortlisted for a major award in 2015/16
  2. A biography or autobiography
  3. A book from a genre you have not yet tried
  4. A book you’ve been meaning to read
  5. A book recommended by a teacher
  6. A book chosen for you by a friend
  7. A book published before you were born
  8. A book in a foreign language or translated from a foreign language
  9. A literary classic
  10. A book by a Midlands author
  11. A book set in a foreign country
  12. A book that will challenge you

I wonder if you’re allowed to double up. For example, I’ve just read David Lodge’s comic novel The British Museum is Falling Down. Would that allow me to tick off both A Midlands Author and A Friend’s Recommendation (if my sister is allowed to be a friend)? Before that I’d read Rambling On by Bohumil Hrabal (see https://ninevoices.wordpress.com/2016/08/05/rambling-on/) which would let me tick the Translated box and also the Set in a Foreign Country box.   I imagine that, if we’re honest, many of us have Literary Classics in our Books I’ve Been Meaning to Read category. So, if I do get round to Daniel Deronda or Silas Marner, I could tick two more boxes. No, three, because they were Published Before I Was Born.

This is getting too complicated. And I suspect the judges at the school would frown on all this sleight of hand. So it’s back to Death on the Cherwell.

Well done the school (and the BBC) – let’s hope it works.

What are your Meaning to Read books?

← Older posts

Subscribe

  • Entries (RSS)
  • Comments (RSS)

Archives

  • March 2023
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • July 2014
  • April 2014
  • February 2014
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013

Categories

  • 2017 Hysteria Writing Competition
  • Adventure
  • Agents
  • Alan Bennett
  • Amazon Self-Publishing Award
  • Art
  • audiobooks
  • Authors
  • Autobiography
    • Claire Tomalin
    • Stephen King
  • Barbara Pym
    • A Glass of Blessings
  • BBC1
  • Being a writer
  • Bestsellers
  • Biography
  • Book etiquette
  • Book Recommendation
  • Books for Christmas
  • Bookshops
  • Bridport Longlist Published
  • Cecily
  • challenge
  • Characters
  • Children's books
  • Christopher Fielding
  • Classics
  • clergy
  • Collaboration
  • Colm Tóibín
  • Comedy
  • Coming up
  • Competition
  • Competition Win
  • Competition Winners
  • Competitions to Enter
  • Crime
  • criticism
  • Dame Hilary Mantel, Reith Lectures 2017, Historical Fiction
  • Dialogue
  • Diary/notebook extracts
  • Drama
  • eBooks
  • Elizabeth Gaskell
  • Exeter Novel Prize
  • Factual writing
  • Fame
  • feedback
  • Festivals
  • Film
  • Finding an Agent
  • Finishing that novel
  • Folk customs
  • Forty-six years
  • Fowey Festival Adult Short Story Competition. Daphne du Maurier
  • Genres
  • Get Your Novel Noticed
  • Getting down to it
  • Getting Published
  • Girls Gone By Publishers
  • Good Housekeeping Novel Competition
  • Grammar
  • Halloween Writing Competition
  • Heard lately
  • heroes
  • heroines
  • Historia
  • Historical
  • Historical Novels
    • book reviews
  • History
  • Homework
  • Horror
  • How to Write a Short Story
  • Humour
  • Hystyeria 6
  • Ideas
  • Imagery
  • Imagination and the Writer
  • Inspiration
  • Jane Austen
  • Jane Austen House Museum
  • L. M. Montgomery
  • Laptops and Coffin Lids
  • Location
  • Lockdown
  • Maggie
  • Management
  • manuscript services
  • Margaret Kirk
  • Marketing
  • McKitterick Prize
  • Memoir
  • Military
  • Mslexia
  • Mslexia Writer's Diary
  • Myslexia Magazine
  • Mystery
  • Mythology
  • Newly Published
  • Newly Published Author
  • News
    • Obituary
  • Ninevoices
    • Anita
    • Christine
    • Ed
    • Elizabeth
    • Jane
    • Maggie
    • Sarah
      • Competitions
    • Tanya
    • Valerie
  • Ninevoices' winning short story
  • Observations
    • Grammar
    • Words
  • On now
  • Orion Publishing
  • Our readers
  • Plot
  • PMRGCAuk
  • Poetry
  • Police Procedurals
  • Publish Your Book
  • Publishing
  • Punctuation
  • Puppy Dogs
  • Queen Elizabeth II
  • radio
  • Read Lately
    • Articles
    • Books
  • Reading
  • rejection
  • religion
  • Research
  • reviews
  • RNA Learning Programme
  • Romance
  • Romantic Novelists' Association
  • Sarah Dawson
  • Satire
  • Science fiction
  • Seamus Heaney
  • Searchlight Writing for Children Awards
  • Seen lately
  • Shadow Man
  • Short stories
  • Short Story Competition
  • Social Media
  • Spelling
  • Sport
  • Spotlight Adventures in Fiction
  • Structure
  • Style
  • submissions
  • Supernatural
  • Synopsis Writing
  • Technology
  • Television
  • The Bridport
  • The Bridport, Lucy Cavendish, Bath, Yeovil, Winchester
  • The Daily Mail Crime Novel Competition
  • The Impostor Syndrome
  • The Jane Austen House Museum
  • The London Magazine Novel Competition, Henshaw Press, Writing Magazine, Writers' Forum
  • The Mirror & the Light
  • The Servant, Getting Published
  • The Times
  • The Writing Life
  • Theatre
  • Thomas Hardy
  • Thrillers
  • Translation
  • Travelling hopefully
  • Uncategorized
  • Valerie
  • villains
  • Vocabulary
  • Volunteering
  • War
  • Websites
  • Westerns
  • Windsor Fringe Kenneth Branagh Award for New Drama Writing
  • Winning Competitions
  • Winning Writing Competitions
  • Witchcraft
  • Witches
  • Wolf Hall
  • Words
  • Writercraft
  • Writerly emotions
  • Writers' block
  • Writers' Forum
  • Writers' groups
  • Writing
    • Column
    • Drama
    • Fiction
    • Poetry
    • Stories
  • Writing Competitions to Enter
  • Writing conventions
  • Writing games
  • Writing Historical Fiction
  • Yeovil First Novel Competition

Meta

  • Register
  • Log in

Blog at WordPress.com.

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Follow Following
    • ninevoices
    • Join 271 other followers
    • Already have a WordPress.com account? Log in now.
    • ninevoices
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...